Classic American West Coast Boxing

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Pacquiao-Cotto is a fight worth the money

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Wednesday’s final press conference before the Manny Pacquiao-Miguel Cotto fight was a low-key event. (Ethan Miller / Getty Images)

The participants in the matchup are not your average showboat fighters. But there figures to be plenty of intrigue at the MGM Grand Garden Arena.

By Bill Dwyre

November 12, 2009

The quest to have you part with $54.95 to see the Pacquiao-Cotto fight Saturday night on HBO pay-per-view was in its homestretch here Wednesday.

If this is a tough sell, it is only because slugfests are not high priority in sluggish economies. Or because the stars, Manny Pacquiao and Miguel Cotto, seem to be decent people who speak with respect and are about as controversial as a table napkin.

Most boxers are mush-mouths who play smash mouth. These two are courteous, yes-sir and no-sir people. They leave the hyperbole to the pros, such as promoter Bob Arum, who has never met a fight he didn't like, as long as it was his.

At Wednesday's press conference, nobody cursed, nobody threatened to disembowel anybody, nobody knocked over a lectern or a microphone in a phony attempt to get on "SportsCenter," and nobody strutted like a peacock and talked trash. Bernard Hopkins must have been out of town.

Of course, there is always Arum to spice things up at least a little. He has been promoting big-time fights for so long that Joe Louis probably called him Bobbie, and he had his usual press-conference moment, just shortly after apologizing for a previous press-conference moment.

In the previous one, Arum had introduced one of Pacquiao's entourage as Governor What's-his-name. Turns out that Chavit Singson was a very important man in Pacquiao's Philippines, and Arum now calls him "a close friend." This time, Arum introduced somebody from a History Channel show called "Pawn Stars," but after several attempts and audience laughter, Arum gave up and apologized for his "Brooklyn accent," which had turned the "awn" into "orn."

The publicity for this fight is needed only for those who have just recently found an interest in boxing. For those in the know, Pacquiao-Cotto has had a ring of excellence since the day the fight was made.

They will fight at a welterweight catch-weight of 145 pounds. That means that, while the true welterweight of 147 is in play, the contract calls for both to make 145 pounds at Friday's weigh-in or face fines.

It also means that boxing, to its credit and in order to get the best matchups, is abandoning the usual weight categories and making up the rules as it goes along. There is a sanctioned title at stake here, but nobody cares.

What fans do care about is that this matchup is especially compelling.

Pacquiao, pride of the Philippines, is 49-3-2, with 37 knockouts. Cotto, a hero in Puerto Rico, is 34-1, with 27 KOs. Pacquiao turns 31 next month. Cotto is 29.

Pacquiao has made his way up the weight-class ladder from 106 pounds 14 years ago to his stunning technical knockout of legendary Oscar De La Hoya a year ago at 142 pounds. That's the highest weight he has gone for a fight, and the 145 catch-weight is in place because Cotto, a natural welterweight, has never fought below 138 and has been at either 146 or 147 in his last eight fights.

There will be much chatter about Cotto being the natural bigger man and having a huge advantage because of that. There will also be much chatter about Pacquiao having an advantage because Cotto has to get down to 145.

The real chatter is about the D-word in each boxer's career.

Cotto's one loss was to Antonio Margarito in July of 2008, in the same MGM Grand Garden Arena ring where he will face Pacquiao. That was a brutal brawl that had the boxing world wondering about the previously invincible Cotto. That brutal beating, of course, took on another dimension when Margarito, about to fight Shane Mosley at Staples Center in January, was found with plaster of Paris in his gloves.

It was taken out, Mosley turned in the most-impressive win of his career -- and he beat De La Hoya twice -- and questions were immediately raised about whether Cotto had lost to Margarito or to plaster of Paris. That remains unanswered, but Cotto lives now with his D-word question: Is he damaged goods?

He said recently, "I'm pretty recovered from the Margarito defeat."

Pacquiao's D-word is distractions.

He has been spectacular in winning his last two fights against credible opponents, De La Hoya and Ricky Hatton. But he has also run for a Congressional seat (and lost) in the Philippines and will make another political run in May. During the recent storms in the Philippines, he left training camp to travel to the affected areas and help out.

As he becomes more a person of the people of the Philippines, boxing experts say that he will become less of a fighter.

Pacquiao's trainer, Freddie Roach, the last honest man in boxing, says the only distraction he is focused on is Cotto's lethal left hook. Roach says he knows how to neutralize that, and Pacquiao will do so. He also says that, as in the De La Hoya fight, Pacquiao will not allow Cotto to get him on the ropes. "He has promised me, he'll fight this one in the center of the ring," Roach says.

As in all fights then, what is rabble distracts from what is real. Wednesday's press gathering ended with Pacquiao and Cotto posing face-to-face and photographers yelling for them to "get closer."

Which proves that cliches are not only written.

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Re: Classic American West Coast Boxing

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At 84, Art Laboe's an oldie but still a goodie

After more than 50 years on the radio, the disc jockey is still going strong, playing sentimental songs and taking dedications. His deep, soothing voice is cherished by his Latino listeners.

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Radio legend Art Laboe, left, and producer Tom Peniston inside Laboe's Hollywood studio. His show ranks near the top in its evening time slot, according to Arbitron ratings, and is popular among listeners 25 to 54 years old. (Jay L. Clendenin / Los Angeles Times)

By Esmeralda Bermudez

November 12, 2009
The disc jockey smiles when he hears Juanita Santos' raspy voice.

"Art," she says from her small town near Fresno, "I want you to tell my husband, Juanito, 'You're my Chicano king. I'm your booty- licious. I can't live without you. I'll never let you go.' And I want you to blow him a big kiss for me and play 'You're My Shining Star.' "

"OK, Juanita. Here goes that kiss. . . . Muaah!"

Phone lines flash six nights a week inside a dimly lit Hollywood studio where Art Laboe sits before his microphone, faithful to his old-fashioned format: playing sentimental oldies and taking dedications. For more than 50 years, his deep, soothing voice has been as cherished among Latinos in the Southwest as Chick Hearn's rapid-fire staccato once was among Lakers fans.

Listeners with nicknames such as Mr. Porky, Lil' Crazy, Big Papi, Bullet, Bugsy and Payasa call in from Oxnard, Riverside and Boyle Heights; from Phoenix, Albuquerque and Nevada. They are lonely women, rueful men, rapt lovers, entire families with squeaky-voiced children who ask Laboe to wish their grandmothers good night.

The 84-year-old disc jockey helps them celebrate anniversaries, mourn their dead and profess their love. He is the intermediary who reconciles arguments, encourages couples to be affectionate, sends out birthday wishes and thank yous.

His program, which is especially popular among listeners 25 to 54 years old, has consistently ranked near the top of its evening time slot, according to the ratings firm Arbitron. The Art Laboe Connection plays in more than a dozen cities in four states and draws about a million listeners a week.

"His show was the first place a young Chicano kid had to air his feelings, the first place you could say something and be heard," said Ruben Molina, author of two books on Chicano music and American culture. "It was like an intercom where you could tell the world -- our world -- 'I'm sorry' or 'I love so-and-so' and everyone knew the next day."

Messages arrive by phone, a few by mail. Sometimes Laboe reads them on the air:

Her name is Ana Ivette Vasquez and I want to let her know that I'm really sorry for doing her wrong, for all the tears she dropped and pain I put her through. I want to dedicate you this song from deep down in my heart: "I Need Love."

Other times he plays the recorded voices of listeners, who speak to him as to an old friend, often in a broken English laced with gangster slang.

I want to hear "Wasted Days and Wasted Nights" for all the firme homies from Orange County, from their homie Dreamer. I want to tell them to keep their head up and stay strong.

"He is more Chicano than some Chicanos," said comedian Paul Rodriguez, who grew up listening to Laboe. "And everyone from the toughest vato to the wimpiest guy would say the same."

::

Laboe eases into his leather chair just before the 7 p.m. start of his broadcast on HOT 92.3 FM. Tea and cough medicine are within reach. His producer, Tom Peniston, sits across a radio mixing board, munching on a sandwich.

The light blinks with the evening's first call:

This dedication is to Marcela Baca. I wish the family would just stop fighting. I wish we could all get along. This is Alex in Phoenix, Arizona. . . . .I want to play that song "So" by War.

Laboe comes to life on the microphone. He'll prod a shy caller to declare his feelings. He'll blush when another gushes, "Oh my God, I can't believe I'm really talking to you!"

He observes rules that he says keep him in business: Never flirt with a woman or call her "baby" or "honey" because it drives away male callers. Never ask if a caller is in prison -- it's not polite. Some in his audience have come to speak in a sort of code, referring to cities that hint that their loved one is incarcerated.

I want to dedicate "The Ship Won't Sail Without You" to my husband, Big, in Chino from Roxanne. I love you and I'll be up that way tomorrow.

Most important, the disc jockey never judges his listeners.

"Here's somebody . . . . who might feel that what they have going on is of little importance in life," Laboe said. "And now they come on the radio and their voice goes out to the whole world."

Laboe, just over 5 feet tall, has bulging eyes, bushy brows and a prominent nose. As a boy, he always was the loner, the Armenian kid other students barely noticed, especially girls.

Drawn by the anonymity of radio, Laboe started his own amateur station in 1938 out of his bedroom in South Los Angeles. He was 13. Back then, he was Art Egnoian and he had recently moved to California from Utah to live with his sister.

"The radio opened up new doors for a guy who wasn't a big, good-looking hunk," he said.

After serving in World War II, he did stints at various radio stations and changed his name to Laboe when a general manager said it was catchier. When rock 'n' roll struck in the 1950s, Laboe launched a live broadcast from Scrivners, a drive-in restaurant in Hollywood. Masses of teens crowded around him to request songs and dedications, and his career took off.

He wanted to be a concert promoter, bring in big bands. But the city of Los Angeles banned youths younger than 18 from attending public dances and concerts. So he decided to host shows in El Monte, which attracted teenagers from the Eastside and its growing Mexican American population.

Latinos poured in to see Chuck Berry, Ray Charles and Jerry Lee Lewis at the now-defunct El Monte Legion Stadium. Laboe played the rhythm-and-blues and doo-wop these youths craved. He compiled his fans' favorite songs on vinyl records, eight-tracks, cassette tapes and ultimately compact discs featuring Mexican American acts. He learned to pronounce Spanish names.

"It was never intentional," Laboe said. "The connection was there and when they came, I welcomed them with open arms."

Laboe became part of the emerging Chicano identity in Los Angeles, his voice and music the soundtrack of lowrider shows and nights spent cruising Whittier Boulevard. He is the only non-Latino selected as grand marshal of the East L.A. Christmas parade and is a favored award recipient among Latino organizations. At their functions, he says, he is often "the only white guy in the room."

These days he descends from his Hollywood Hills home in a black Jaguar and lunches at the Chateau Marmont.

His home decor features a nude portrait of Marilyn Monroe hanging above his bed, made up in pink-and-white sheets. A giant oil painting of his deceased cat, Baby, is the focal point of the living room. Motivational sayings written on Post-It notes (If you believe in your power to do great things, you will) share space on his refrigerator door with doctor's notices detailing the symptoms of a stroke.

He has lived in the home, mostly alone, since 1964, when he and his second wife, a Las Vegas showgirl, divorced. Most of his relatives, with the exception of two older sisters, have died. "My listeners," he said, "they are like a family."

Regular Laboe listeners include middle-age mothers and high-ranking politicians in the state Capitol. His fans identify with the melodramatic songs he plays the way Tennesseans identify with country music. Some callers express themselves in Laboe-isms, parroting the lyrical verses heard on the oldies show.

I want to tell him to 'Smile now, cry later' because 'I will always be there for you.'

State Sen. Gil Cedillo (D-Los Angeles) remembers cruising through Boyle Heights with Antonio Villar (later Villaraigosa) in the future mayor's canary yellow 1964 Chevy, bumping Laboe's music. It was the early 1970s, and Laboe was everyone's favorite uncle in the neighborhood, he said.

"There was no place else to be," Cedillo said, "but right there, listening to his music."

::

The crowd roars as Laboe steps onstage.

"We love you, Art!" young women yell in unison from their seats.

"You're the man!" the men holler.

It is the last hour of the Art Laboe Show LIVE concert in San Bernardino in September, and about 13,000 people, nearly all of them Latinos, are packed into the San Manuel Amphitheater.

Tattooed teenagers in baggy clothes sway in their seats alongside grandparents and children. Many slow-dance in the aisles and sing out loud as Evelyn "Champagne" King, the Manhattans and other acts perform songs that Laboe has helped keep alive.

The disc jockey emerges from backstage to introduce the last act. He is in his sixth suit of the evening, a gold polyester number that shimmers under red and yellow lights. He looks out into the audience and blows kisses.

"What a night! And it's not over yet. Wait till you see what we have coming up next."

Many of his fans, seeing his enthusiasm and hearing his vibrant voice, would never imagine the man on stage is almost 85.

"What is he?" asks a 16-year-old concertgoer. "I think 54. Or 63? . . . 61?"

No matter his age, Laboe has no plans to quit any time soon. He wants to syndicate his show in more states, enter the Radio Hall of Fame and learn how to use Twitter.

Yet radio is not the draw it once was. The recording studio he bought in the early 1960s no longer makes a profit and is up for sale. Some nights, a tired Laboe heads out early, leaving recorded dedications for his producer to read on the air.

Still, if the end of the Art Laboe era is approaching, his fans don't see it. Or don't want to believe it.

"I know he won't live forever," said Estella "Proxie" Aguirre, 67, a listener since the 1950s. "But I get a lump in my throat just talking about it. I love him like I love my husband, except Art Laboe and I never argue."

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Re: Classic American West Coast Boxing

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Officials to restore birthplace of Robert Johnson

By SHELIA BYRD, Associated Press Writer Shelia Byrd, Associated Press Writer

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JACKSON, Miss. – The mystery surrounding bluesman Robert Johnson's life and death feeds the lingering fascination with his work.

There's the myth he sold his soul to the devil to create his haunting guitar intonations. There's the dispute over where he died after his alleged poisoning by a jealous man in 1938. Three different markers claim to be the site of his demise.

His birthplace, however, has been verified. The seminal bluesman came into the world in 1911 in a well-crafted home built by his stepfather in the Mississippi town of Hazlehurst.

Now, 71 years after his death, local officials want to restore the home in hopes of drawing Johnson fans and their tourism dollars to Copiah County, about 100 miles from the Delta region that most bluesmen called home.

Johnson's life and music have been the subject of multiple books. And producers are shopping a script in Hollywood about him penned by Jimmy White, the screenwriter for the Academy Award-winning film, "Ray."

"It's amazing that after all these years, people still talk about Robert Johnson on the level that they do," said the bluesman's grandson, Steven Johnson.

Johnson's influence can be heard in the works of numerous artists, from Muddy Waters to Eric Clapton, who covered 14 of the bluesman's songs on his 2004 album, "Me and Mr. Johnson."

The house is an important piece of Johnson's legacy, said Grammy-winning pianist George Winston, who will headline a fundraiser for the restoration Monday at the Belhaven College Center for the Arts in Jackson.

"Everything with Robert is mysterious, but the more we can demystify, we can get down to the truth," said Winston. "He was an inspired musician. He took a quantum leap." The story goes that Johnson didn't play all that well at first, then left town for awhile. When he returned, his music had undergone a transformation.

"He came back and everybody couldn't believe how well he played," Winston said.

That's likely what gave rise to the soul-selling rumor, a transaction purportedly taking place at the crossroads of U.S. 61 and U.S. 49 in the Mississippi Delta.

Johnson's birthplace was verified in a letter from his half-sister years ago, said Janet Schriver, executive director of the Copiah County Office of Cultural Affairs.

The 1,500-square foot home now owned by the county has fallen into disrepair, but it still bears evidence of craftsmanship. Johnson's stepfather, Charles Dodds, was a furniture maker and a prosperous landowner. The house had a double-parlor, a long front porch and a pump that allowed water to flow into the kitchen, a modern convenience unheard in most homes occupied by blacks in the early 20th century, said Schriver.

Schriver said the county is trying to raise $250,000 for the restoration project, which coincides with efforts to get Johnson's life story to the screen.

White was commissioned by HBO about three years ago to write the script, but the production company's management changed and the project was scrapped, said Cathy Gurley, who handles publicity for the Robert Johnson Blues Foundation.

HBO confirmed Thursday a project had been in development, but subsequently producers were allowed to take it elsewhere.

Gurley said "we're currently shopping the project."

White, who is based in Santa Monica, Calif., said he was moved by the "sheer genius" of Johnson, who was self-taught on the guitar.

"He was so good that he would literally turn his back when they were recording him. He didn't want the other musicians to see his fingering technique," White said.

A restored Johnson birthplace would offer his latter-day fans something rare: a tangible relic linked to the long-dead musician. Few personal artifacts from Johnson's life remain. Only two photographs of Johnson are known to exist, one known as the "studio portrait" made for Johnson by Hooks Brothers Studios in Memphis, Tenn., and the other referred to as "the dime store portrait" or "the photo booth self portrait" taken by Johnson himself.

White spent months researching Johnson's life and interviewing other blues artists, including David "Honeyboy" Edwards, who knew Johnson. Little known in their prime, outside of the audience for "race music," the bluesmen created an enduring musical legacy.

"As a writer, it was exciting for me because nobody has been able to crack the code of how to tell the story of a blues singer from that era, especially the legendary one who sold his soul to the devil," White said.
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Re: Classic American West Coast Boxing

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DOWN FROM LA

Hunter Hancock was before my time. I used to hear the older guys talk about his show. Frank was a big fan. But I remember Art Laboe and Johnny Otis.

When I was a teenager,San Diego didn't have much as far as entertaining the young folks. There was the Bostonia Ballroom out in East County,but that was more focused on country western clientel. Rock and Roll and the Blues was something that was lacking down here. However, Los Angeles had two names I'll never forget. Johnny Otis and Art Laboe. Later in the 60's Wolfman Jack captured listeners,but before the Beatles era came upon us,it was Johnny Otis and Art Laboe for giving the San Diego teenagers something to dance about.

Art Laboe and Johnny Otis would come to San Diego a few times a year and they would always sell out. Usually they brought the groups to the El Cortez Hotel in downtown San Diego.

I remember the cars and the patent leather shoes and dancing to the blues. Fast and Slow. Little Esther and Mal Waldron,were two of my favorite singers. The bands had plenty of horns. The saxophone sections made the sounds that I liked. Can't play the blues without a sax.

Sometimes there'd be a fight or two on the dance floor,but looking back it was nothing serious. A split lip. A busted nose. Always one on one. If you lost it was no big deal. You could still dance close with your girl.

Those shows from LA. were always a sell out. It was fun. It was a time when life was a lot more fun. Just listen to the music and you'll understand.
Last edited by dagosd2000 on 12 Nov 2009, 21:24, edited 1 time in total.
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Re: Classic American West Coast Boxing

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http://www.youtube.com/watch?v=rKJsW6DRgeY

Searching For My Baby

Bobby Moore and The Ryhthm Aces
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Re: Classic American West Coast Boxing

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http://www.youtube.com/watch?v=XF5y8mccpAs

In The Dark

Dinah Washington
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Re: Classic American West Coast Boxing

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http://www.youtube.com/watch?v=uh1STdjCS0M

Whittier Boulevard

Thee Midniters
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Re: Classic American West Coast Boxing

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Image

Went to TJ yesterday. Maria's menudo in the first cleaning stages

.Image

Chile Rellenos hot and ready to eat. Must have hit every chile stand in the Mercado Municipal.
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Re: Classic American West Coast Boxing

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dagosd2000 wrote:DOWN FROM LA

Hunter Hancock was before my time. I used to hear the older guys talk about his show. Frank was a big fan. But I remember Art Laboe and Johnny Otis.

When I was a teenager,San Diego didn't have much as far as entertaining the young folks. There was the Bostonia Ballroom out in East County,but that was more focused on country western clientel. Rock and Roll and the Blues was something that was lacking down here. However, Los Angeles had two names I'll never forget. Johnny Otis and Art Laboe. Later in the 60's Wolfman Jack captured listeners,but before the Beatles era came upon us,it was Johnny Otis and Art Laboe for giving the San Diego teenagers something to dance about.

Art Laboe and Johnny Otis would come to San Diego a few times a year and they would always sell out. Usually they brought the groups to the El Cortez Hotel in downtown San Diego.

I remember the cars and the patent leather shoes and dancing to the blues. Fast and Slow. Little Esther and Mal Waldron,were two of my favorite singers. The bands had plenty of horns. The saxophone sections made the sounds that I liked. Can't play the blues without a sax.

Sometimes there'd be a fight or two on the dance floor,but looking back it was nothing serious. A split lip. A busted nose. Always one on one. If you lost it was no big deal. You could still dance close with your girl.

Those shows from LA. were always a sell out. It was fun. It was a time when life was a lot more fun. Just listen to the music and you'll understand.
Roger, before Hunter Hancock, it was Joe Adams (Circa 1949), then about 1951-'52 it was Hancock, then came Huggy Boy, followed by Johnny Ortis and Art Laboe, I seen all but Joe Adams live at their dances/shows, like you said a fight here and there, but alway, one on one, and fists only.... :TU:
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Re: Classic American West Coast Boxing

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Guitar Slim

http://www.youtube.com/watch?v=I6qh4QLiMkg

"The Things That I Used To Do"
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Re: Classic American West Coast Boxing

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Was Art Laboe connected with the Oldies But Goodies album series? I remember Laboe was on KRLA when that station was playing oldies exclusively (the 1970s?). Wolfman Jack also played a lot of R&B and oldies records on his show when it was on a Mexican border station with a massive radio signal, XERB (1090 on your radio dial!) during the late 1960s and early 1970s. Can you believe that I was able to listen to XERB in Montana at night during the Summer of 1970?

- Chuck Johnston
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Re: Classic American West Coast Boxing

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Chuck1052 wrote:Was Art Laboe connected with the Oldies But Goodies album series? I remember Laboe was on KRLA when that station was playing oldies exclusively (the 1970s?). Wolfman Jack also played a lot of R&B and oldies records on his show when it was on a Mexican border station with a massive radio signal, XERB (1090 on your radio dial!) during the late 1960s and early 1970s. Can you believe that I was able to listen to XERB in Montana at night during the Summer of 1970?

- Chuck Johnston

Chuck . . . It's amamzing some of the places I heard Wolfman's broadcast.
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Re: Classic American West Coast Boxing

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Rick Farris wrote:
Chuck1052 wrote:Was Art Laboe connected with the Oldies But Goodies album series? I remember Laboe was on KRLA when that station was playing oldies exclusively (the 1970s?). Wolfman Jack also played a lot of R&B and oldies records on his show when it was on a Mexican border station with a massive radio signal, XERB (1090 on your radio dial!) during the late 1960s and early 1970s. Can you believe that I was able to listen to XERB in Montana at night during the Summer of 1970?

- Chuck Johnston

Chuck . . . It's amamzing some of the places I heard Wolfman's broadcast.
Huggy Boy's show had to be recorded, because it was on radio between 12:AM-4:AM. One time Huggy Boy got busted and was in jail in the hours that his show was on the air, somebody had a radio in the jail and were listening to Huggy's show with him, needless to say, Huggy Boy was the man of the hour in jail.
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Re: Classic American West Coast Boxing

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Chuck1052 wrote:Was Art Laboe connected with the Oldies But Goodies album series? I remember Laboe was on KRLA when that station was playing oldies exclusively (the 1970s?). Wolfman Jack also played a lot of R&B and oldies records on his show when it was on a Mexican border station with a massive radio signal, XERB (1090 on your radio dial!) during the late 1960s and early 1970s. Can you believe that I was able to listen to XERB in Montana at night during the Summer of 1970?

- Chuck Johnston
Chuck...Art Laboe had his own Oldies But Goodies album series, I have a few of them, 1960s, "Memories of El Monte" imo is the best one of the lot
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Re: Classic American West Coast Boxing

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Miguel Cotto cites photo in disputed match with Antonio Margarito

Cotto's camp says it's evidence against the boxer whose license later was revoked in a matter involving hardened hand wraps.

By Lance Pugmire

November 12, 2009

Reporting from Las Vegas - Boxer Miguel Cotto glanced at the photo. He'd already seen it and had drawn a conclusion about what it indicates.

Cotto and his advisors say that a photograph recently obtained by The Times represents what his father, Miguel Cotto Sr., calls "overwhelming" evidence that his son's 2008 opponent Antonio Margarito used illegally hardened hand wraps to help him score a technical knockout over the previously unbeaten Cotto.

Six months after Margarito battered Cotto, a California State Athletic Commission inspector confiscated hardened inserts caked with plaster of Paris in Margarito's hand wraps before a welterweight title fight against Shane Mosley. Margarito's wraps were changed before he lost the fight to Mosley.

Margarito and his trainer, Javier Capetillo, had their licenses revoked in February by the California commission for using illegal hand wraps, and both can apply for reinstatement early next year. Margarito has since fired Capetillo.

The photo in question was allegedly taken of a jubilant Margarito moments after he bloodied Cotto in an 11th-round TKO triumph in July 2008 at the MGM Grand in Las Vegas.

On Saturday, Cotto will be in the same ring against Manny Pacquiao, amid questions about any lingering effects from his loss to Margarito.

In the photo, Margarito holds his left fist forward and a portion in the hand wrap above his left-hand pinkie knuckle reveals a discolored section. Karen Chappelle, the deputy attorney general who argued that the California State Athletic Commission should revoke Margarito's boxing license, believed the photo was incriminating and she planned to present it at the hearing.

That request was denied, but the state did present photos of the plaster-covered inserts taken from Margarito before the Mosley bout. One photo showed a red-stained section that would've lined up in the same discolored hand-wrap area as in the post-fight Margarito-Cotto photo.

Cotto was the unbeaten (32-0) World Boxing Assn. welterweight champion when he fought Margarito.

But the challenger so thoroughly beat Cotto that he was bleeding from his nose, mouth and ears. "The only people who can tell you for sure if those [inserts] were in there is Margarito and his trainer, but you have the picture now, so people know," Cotto said.

Margarito's co-manager, Sergio Diaz, reviewed the photo obtained by The Times and said the discolored portion probably came from red dye in Margarito's gloves bleeding onto the wraps.

"That color is like the color from the gloves that are on his wrists after a fight," Diaz said.

Diaz said Margarito denies any wrongdoing in the Cotto fight or the Mosley pre-fight incident.

Diaz believes representatives of the Nevada State Athletic Commission took custody of Margarito's hand wraps after the Cotto fight.

But Keith Kizer, executive officer of that commission, said Margarito never turned over his hand wraps to Nevada authorities, and wasn't asked to.

Asked if he believes Margarito beat Cotto with loaded gloves, Cotto's trainer Joe Santiago said, "There's no doubt. Look at Miguel's face after that fight."

At the California commission hearing, Capetillo testified his fighters use plaster inserts in training to protect their hands and inserts must have accidentally been tossed into his training bag, and wound up in Margarito's gloves without the fighter's knowledge.

Margarito testified he merely held up his hands for his trainer to wrap before the Mosley fight.

Dean Lohuis, the former California inspector who pulled the hardened inserts from Margarito's wraps before the Mosley bout, said: "Those pads were used in more than one fight. . . . The pad was dirty, used and looked like it had been around several times before. I'm convinced it was there against Miguel [Cotto]. . . . You can say it's circumstantial but in my view . . . it was more likely than not."

Margarito is working out lightly in Mexico, and Diaz said, "We're taking steps to getting our license back."

Bob Arum, who promotes both Cotto and Margarito, said, "The fight everyone would want to see is a Cotto-Margarito rematch."

But Cotto wants Margarito suspended for life.

"I know Cotto says Antonio won't make another penny off [him], but if he's offered a lot of pennies to take the fight, I think he will," Diaz said.

Times staff writer Kevin Baxter contributed to this report.

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kikibalt
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Re: Classic American West Coast Boxing

Post by kikibalt »

Image

Our dear friend, Hap Navarro. I like the shades and beret!


-Rick Farris
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Re: Classic American West Coast Boxing

Post by kikibalt »

My 94 year old uncle Louie passed away today (11-13-09)

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Uncle Louie

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Uncle Louie with my sister Rachel
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Re: Classic American West Coast Boxing

Post by kikibalt »

Image

My dad, Aurelio Baltazar, (11/12/1913--5/11/2000) barbecuing, circa-1972,
Legg Lake, South El Monte, Ca.
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Re: Classic American West Coast Boxing

Post by Rick Farris »

kikibalt wrote:Image

My dad, Aurelio Baltazar, (11/12/1913--5/11/2000) barbecuing, circa-1972,
Legg Lake, South El Monte, Ca.
I remember Legg Lake from when I lived in S.G. Valley, right about that time.
Frank, You have my condolences regarding your Uncle Louie.
Last edited by Rick Farris on 13 Nov 2009, 20:23, edited 1 time in total.
kikibalt
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Re: Classic American West Coast Boxing

Post by kikibalt »

Rick Farris wrote:
kikibalt wrote:Image

My dad, Aurelio Baltazar, (11/12/1913--5/11/2000) barbecuing, circa-1972,
Legg Lake, South El Monte, Ca.
I remember Legg Lake from when I lived in S.G. Valley.
Frank, You have my condolences regarding your Uncle Louie.
Thanks, Rick.

Legg Lake is where I used to take the boys to do their roadwork after they turned pro.
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Re: Classic American West Coast Boxing

Post by dagosd2000 »

kikibalt wrote:My 94 year old uncle Louie passed away today (11-13-09)

Image

Uncle Louie

Image

Uncle Louie with my sister Rachel
Frank
I remember that you talked about your Uncle Louie before. Sounds like he was quite a man. My sympathies with your family. Rog
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Re: Classic American West Coast Boxing

Post by dagosd2000 »

kikibalt wrote:Image

My dad, Aurelio Baltazar, (11/12/1913--5/11/2000) barbecuing, circa-1972,
Legg Lake, South El Monte, Ca.


http://www.youtube.com/watch?v=c5IIXeR5OUI

What A Wonderfull World

Louis Armstrong
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Re: Classic American West Coast Boxing

Post by dagosd2000 »

THE REAL TEST

I told you about my class with the English learners. Most of the kids haven't lived in the U.S. for that long. They came up from Mexico with their parents. Their parents don't speak English. On the weekends they're in Tijuana.

The school district formed this special category for them called Structured English Innstruction. (SEI). I've got the U.S. History end of it at my school. The class is noisy as hell. I tried some interventions at first. Phone calls,counselor referrels,moving seats...but they don't stop talking. They converse in Spanish and sometimes I hear a "chinga" or a "pinchi". I raise my voice. Nothing works.They stay noisy and happy. They laugh all the time. Everything can be made into a joke.

This was the class that scored the highest in the district on the standardized quartely exam. There was a catch. The district released the test(38 questions) beforehand. We could show them the test prior to taking it. For 3 days I went over it with them question by question. I did the same for my other four classes. All the history teachers on campus did the same thing. But these English learner kids got the highest scores in the district. I attributed the results with "image association". The kids recognized the questions with the right answers. Most of them probably couldn't read the questions. But they could match the symbols. Thus the highest scores.

I guess if you can't read or write English you rely on other methods to understand. My wife does this,especially when grocery shopping.

There won't be a quarterly exam this grading period. It will be an end of semester test. The test won't be released beforehand. I'll try to cover what I think will be on this test. But because these kids can't read or write in English,they won't get through the questions let alone figure out the answers. They'll probaly get the lowest scores in district this time.

They won't care though. They were happy to score the highest on the quarterly exam,but they went on the same way.They're always happy. Trying to have as much fun living in the moment. They talk and talk.They laugh and laugh.

They keep these kids pretty much blocked together during school. Sometimes I think they don't know who they are. Transplants living in a country they don't feel comfortable in.That's why they're together. They're happier together.

If they bomb this end end of semester test,it probably won't phase them. Oh you might say that it will catch up with them later,but I've never believed that. I've been in this district long enough to see that that rarely happens. Regardless of where they land they will still be talking.They will still be laughing.Maybe they passed the test afterall.
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Re: Classic American West Coast Boxing

Post by dagosd2000 »

http://www.youtube.com/watch?v=x3tIGXA68pA

Rockin In Rhythm

Duke and Ella


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Image
Rick Farris
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Re: Classic American West Coast Boxing

Post by Rick Farris »

dagosd2000 wrote:http://www.youtube.com/watch?v=x3tIGXA68pA

Rockin In Rhythm

Duke and Ella


Image

Image

Beautiful, Rog. I love the colors in the Ella portrait!
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