
Primo Carnera and Willie Ritchie
kikibalt wrote:Did you know that Cut and Shoot Harris is a lawyer?
Sorry to hear it Frank. I didn't know Davey, however, I do remember his career pretty well. He was unbeaten before the Crawford fight, but Frankie was just too much for him. I was surprised he quit boxing, or that I never saw him try again after Crawford. I haven't checked his record yet, but I think Crawford kinda took the wind out of his sails.kikibalt wrote:Rick,
Remember Dave Contreras , that fought out of the Teamsters Gym, for Louis J., and fought Frankie Crawford in 1966?.
Just heard that he passed away recently.
Hope to get more info soon.
The photo of Bundini crying next to Ali with a busted jaw is one that was flashed across the world in 1973, one of those truly 'great' photos, although hindsight tells us Bundini was only worried about the Ali gravy train.Rick Farris wrote:To tell you the truth,I never liked Norton. The first time I sparred with anyone was with Norton,a little before this fight.He roughed me up pretty good,but he couldn't knock me down. He never seemed friendly. I always thought he was a little arrogant.
Dagos . . . I didn'tknow Ken Norton very well, just from the gym. As a stablemate of Jerry Quarry, I found it very enjoyable, watching Jerry flatten Norton in the gym. It looked like it was heating up to be a good show, with both guys throwing hard. Jerry landed a beautiful, short right to the chin and Norton went down hard. It took him a few seconds to regain his balance and he took a knee long enough to be conted out. The bell rang, and Bill Slayton pulled his boxer out. This wasn't the first time Quarry had his way with Norton, however, I just heard of this from Johnny Flores, JErry's manager. Johnny told us (his amateurs who trained at his home gym) that Quarry had dropped Norton to a knee with a hook to the liver. I was hoping to see something like that myself on the day I saw them working together. I saw something better. I didn't have any reason to believe that Ken's jaw was weak, because Quarry could KO anybody he hit solid.
However, more would be revealed about Norton, and a lot of it was good. He was one guy that had the style to beat Ali. And his fight with Larry Holmes was very close, also.
-Rick

The vision of Murphy's fist crashing through the painting is priceless.dagosd2000 wrote:"Hey Tony,don't you ever take a day off?"kikibalt wrote:
Irish Bob Murphy vs Henry Brimm
"I haven't taken more than a week off since George's father opened the Arizona in 1945."
I remember Tony Panza when I was a kid settin' up pins in the bowling alley that was through the little hallway that led from the bar. Tony ran the bowling alley and George Radovich handled the bar. Between the bar and the bowling alley there was a small kitchen. George always made sure he had some 'ol gal in there cookin' up lunches. I'm not kiddin' ya',they were the best home cooked meals down at the beach.Pork Roasts,mashed potatos,corn on the cob,salad. Dishes like that that stuck to your ribs. Everyone affiliated with the Arizona Cafe was some kind of Serb. They all went to the Serbian church and married Serbians,drank Vodka by the gallons,spoke Serbian and hated Tito's guts. They all belonged to the "Serbian Defense League." One time I asked George Radovich.
"What the hell is the Serbian Defense League?"
"We sit around and get drunk on Vodka and talk about invading Yugoslavia",laughed George.
Well George finally had to break down and get "automatic pin setters" because too many pin boys like myself were getting hit in the noggin' by the pins flying around. After that Tony Panza moved inside and tended bar. The Arizona was like a historical museum in a way. There were old pictures on the wall of the beach and the Arizona Cafe. But the ones that interested me the most were the pictures of "Irish Bob" Murphy. George handled Murphy when he was an amateur just gettin' out of the Navy. There was always an "Irish Bob" Murphy story to go around. I've run a few by you,but here's a fresh one.
Tony's tellin' me this artist comes into the bar one night and draws one of these" charactertures" of George behind the bar. George likes the artwork and commissions this guy(I think it was all the booze you could drink)to do one of these "charactertures" of everyone sittin' at the bar. Tony told me on this night the place was really packed. All the local crowd was there. Well Michaelangelo is workin' his way down the bar doin' his artwork and every body is pleased as punch. At the end of the bar is Murphy sittin' there with his then manager Travis Hatfield. The way Tony told it was like this.
DaVinci works his way up to Murphy and says he's going to paint his picture. Well I don't think Picasso knew who Murphy was because if he did he'd known that Murphy was one of those "bad" drunks. Tony said Murphy gave him a sneer and sad"Why not?"
Well Rembrandt is paintin' up a storm and gets finished painting Murphy. He holds up the finished product in front of his face and asks Murphy his opinion. Next thing you know Murphy's fist comes crashing through the guy's painting and lands against his nose. Norman Rockwell is layin' there unconscious on the bar room floor with Murphy's painting next to him. Hatfield,who's been drinkin' with Murphy all night,turns to Murphy and says,"I guess you didn't like it?"
The Arizona Cafe is closed up now. George died a while back,Murphy broke his neck in '61 in a motorcycle accident. Tony's around,but with the Arizona gone,I assume his days will be numbered. But you know what?After that guy painted all those pictures of everybody at the Arizona that night,George hung them all up behind the bar. Even Murphy's picture. But Murphy's picture was held together in two by Scotch Tape. To think they had to use Scotch Tape to put that Irishman together. I bet that made him sore.
http://www.youtube.com/watch?v=IPOTQ7159_Ydagosd2000 wrote:kikibalt wrote:Did you know that Cut and Shoot Harris is a lawyer?
Really? You know Frank there's an expression in Southern Italy"See Naples and Die". Now that I know Cut and Shoot is a lawyer,I'll think I"ll drop over dead.
BTW,I got away from the Forum for a few. Been listening to Little Willie G. and Thee Midniters. Been listening to "I Need Someone". It's on YouTube. Man does that remind me of East LA.
bennie wrote:The photo of Bundini crying next to Ali with a busted jaw is one that was flashed across the world in 1973, one of those truly 'great' photos, although hindsight tells us Bundini was only worried about the Ali gravy train.Rick Farris wrote:To tell you the truth,I never liked Norton. The first time I sparred with anyone was with Norton,a little before this fight.He roughed me up pretty good,but he couldn't knock me down. He never seemed friendly. I always thought he was a little arrogant.
Dagos . . . I didn'tknow Ken Norton very well, just from the gym. As a stablemate of Jerry Quarry, I found it very enjoyable, watching Jerry flatten Norton in the gym. It looked like it was heating up to be a good show, with both guys throwing hard. Jerry landed a beautiful, short right to the chin and Norton went down hard. It took him a few seconds to regain his balance and he took a knee long enough to be conted out. The bell rang, and Bill Slayton pulled his boxer out. This wasn't the first time Quarry had his way with Norton, however, I just heard of this from Johnny Flores, JErry's manager. Johnny told us (his amateurs who trained at his home gym) that Quarry had dropped Norton to a knee with a hook to the liver. I was hoping to see something like that myself on the day I saw them working together. I saw something better. I didn't have any reason to believe that Ken's jaw was weak, because Quarry could KO anybody he hit solid.
However, more would be revealed about Norton, and a lot of it was good. He was one guy that had the style to beat Ali. And his fight with Larry Holmes was very close, also.
-Rick
I had the pleasure of working as a cornerman for Ken when he came to Oklahoma City back in 1975 to fight Reco Brooks. ("Working" is an overstatement - he stopped Brooks in the first round, so all I really did was help him take off his robe, rinse off his mouthpiece before the start of the fight, and help him back on with his robe after the fight.)Rick Farris wrote:To tell you the truth,I never liked Norton. The first time I sparred with anyone was with Norton,a little before this fight.He roughed me up pretty good,but he couldn't knock me down. He never seemed friendly. I always thought he was a little arrogant.
Dagos . . . I didn'tknow Ken Norton very well, just from the gym. As a stablemate of Jerry Quarry, I found it very enjoyable, watching Jerry flatten Norton in the gym. It looked like it was heating up to be a good show, with both guys throwing hard. Jerry landed a beautiful, short right to the chin and Norton went down hard. It took him a few seconds to regain his balance and he took a knee long enough to be conted out. The bell rang, and Bill Slayton pulled his boxer out. This wasn't the first time Quarry had his way with Norton, however, I just heard of this from Johnny Flores, JErry's manager. Johnny told us (his amateurs who trained at his home gym) that Quarry had dropped Norton to a knee with a hook to the liver. I was hoping to see something like that myself on the day I saw them working together. I saw something better. I didn't have any reason to believe that Ken's jaw was weak, because Quarry could KO anybody he hit solid.
However, more would be revealed about Norton, and a lot of it was good. He was one guy that had the style to beat Ali. And his fight with Larry Holmes was very close, also.
-Rick
kikibalt wrote:http://www.youtube.com/watch?v=Ze0ucKUCxFI
diego
You never should had brought up music
Thats a 1937 Chevy on the cd cover, thats the kind of car I had when I met my wife 54 years ago.
Great Story Dagos!bennie wrote:The vision of Murphy's fist crashing through the painting is priceless.dagosd2000 wrote:"Hey Tony,don't you ever take a day off?"kikibalt wrote:
Irish Bob Murphy vs Henry Brimm
"I haven't taken more than a week off since George's father opened the Arizona in 1945."
I remember Tony Panza when I was a kid settin' up pins in the bowling alley that was through the little hallway that led from the bar. Tony ran the bowling alley and George Radovich handled the bar. Between the bar and the bowling alley there was a small kitchen. George always made sure he had some 'ol gal in there cookin' up lunches. I'm not kiddin' ya',they were the best home cooked meals down at the beach.Pork Roasts,mashed potatos,corn on the cob,salad. Dishes like that that stuck to your ribs. Everyone affiliated with the Arizona Cafe was some kind of Serb. They all went to the Serbian church and married Serbians,drank Vodka by the gallons,spoke Serbian and hated Tito's guts. They all belonged to the "Serbian Defense League." One time I asked George Radovich.
"What the hell is the Serbian Defense League?"
"We sit around and get drunk on Vodka and talk about invading Yugoslavia",laughed George.
Well George finally had to break down and get "automatic pin setters" because too many pin boys like myself were getting hit in the noggin' by the pins flying around. After that Tony Panza moved inside and tended bar. The Arizona was like a historical museum in a way. There were old pictures on the wall of the beach and the Arizona Cafe. But the ones that interested me the most were the pictures of "Irish Bob" Murphy. George handled Murphy when he was an amateur just gettin' out of the Navy. There was always an "Irish Bob" Murphy story to go around. I've run a few by you,but here's a fresh one.
Tony's tellin' me this artist comes into the bar one night and draws one of these" charactertures" of George behind the bar. George likes the artwork and commissions this guy(I think it was all the booze you could drink)to do one of these "charactertures" of everyone sittin' at the bar. Tony told me on this night the place was really packed. All the local crowd was there. Well Michaelangelo is workin' his way down the bar doin' his artwork and every body is pleased as punch. At the end of the bar is Murphy sittin' there with his then manager Travis Hatfield. The way Tony told it was like this.
DaVinci works his way up to Murphy and says he's going to paint his picture. Well I don't think Picasso knew who Murphy was because if he did he'd known that Murphy was one of those "bad" drunks. Tony said Murphy gave him a sneer and sad"Why not?"
Well Rembrandt is paintin' up a storm and gets finished painting Murphy. He holds up the finished product in front of his face and asks Murphy his opinion. Next thing you know Murphy's fist comes crashing through the guy's painting and lands against his nose. Norman Rockwell is layin' there unconscious on the bar room floor with Murphy's painting next to him. Hatfield,who's been drinkin' with Murphy all night,turns to Murphy and says,"I guess you didn't like it?"
The Arizona Cafe is closed up now. George died a while back,Murphy broke his neck in '61 in a motorcycle accident. Tony's around,but with the Arizona gone,I assume his days will be numbered. But you know what?After that guy painted all those pictures of everybody at the Arizona that night,George hung them all up behind the bar. Even Murphy's picture. But Murphy's picture was held together in two by Scotch Tape. To think they had to use Scotch Tape to put that Irishman together. I bet that made him sore.
I thought so, but my memory aint what it ought to be sometimes. But hey Ali drew strength from him even if it wasn't the sort of friendship we all wish for. So maybe they both got what they needed.kikibalt wrote:Bundini died years ago.BoxBuzz wrote:Bundini...sort of like Paulie....
Where is he now? Is he still hangin' on? Dead? The gardner maybe?
diego,dagosd2000 wrote:kikibalt wrote:http://www.youtube.com/watch?v=Ze0ucKUCxFI
diego
You never should had brought up music
Thats a 1937 Chevy on the cd cover, thats the kind of car I had when I met my wife 54 years ago.
Hey Mr. Oldies,But Goodies
I was thinking about this today. A while back you said that fighters had star quality and when they'd go to the fights with their wives or girlfriends(or like Aragon ,with both)they were celebrities. I agree. But added to the charisma,to me,was they always dressed to the" nines." Always stylish. I know Sugar Ray always looked good. Gaspar Ortega was a dresser. Gato doesn't remember this,but I was introduced to him and Jackie McCoy one night between fights at the Coliseum. The first thing I picked up on Gato was the natty attire.
Any of you Southland guys(Frank,Rick,Scar,etc.) can you remember the fighters that wore the nice threads? I don't mean those purple and green floppy bell bottom outfits like Sly Stone wore. Frank,show some oics with this please. Dagos
