After retiring from boxing, Kid Berg became a movie stuntman, working mainly in Westerns, this gave him a wardrobe for life. He smoked cigars incessantly – Optimos that were sent to him from New York.
All his defeats apart from Canzoneri, Berg put down to the effects of womanising, which he believed weakened his legs, but which he said he couldn’t resist. He was particularly defiant about his defeat by Billy Petrolle, who had him down seven times - but only because, Berg insisted, “I was messing around with this particular broad.” Most of his big fights took place in the United States, and he had a penchant for the American vernacular. He finished boxing in 1946 at the age of 35, with an extraordinary record of 157 victories (with 61 knockouts), 26 losses, and nine draws. Known for his prodigious punch-rate, Berg’s moniker was “The Whitechapel Windmill” or, in America, “Whirlwind.”
He was managed by Frankie Jacobs and trained by the late Ray Arcel, that most distinguished and honourable of trainers, who saw off the Mob in the form of Frankie Carbo et al and regarded Berg as almost a son and his favourite fighter, even though Arcel trained many other champions, including Roberto Duran. Berg had arrived in his custody off a boat from England in 1928, when he was 18 and, according to Arcel, “Looked like a little girl.” Arcel was soon disabused of such notions. “Not only could he fight,” Arcel once recalled. “But he thought he was God’s gift to the ladies. You had to watch him like a hawk.”
Berg once said he was convinced one of his cornerman had been stabbed on the way to the ring to face Kid Chocolate.
In his last year or so Berg moved to the Essex coast. His wife Morya died before him. So did Ray Arcel. To the end he followed his usual routines. He remained friends with Kid Lewis’ son, Morgan, to the last, believing he had a protective duty towards him, and still went to Soho.
Despite his age Berg was still an active driver in his little red car, which he drove extremely aggressively, indeed specialising in curb side confrontations. He had been arrested for chinning another, much younger motorist, but turned up in court in a borrowed wheelchair and was let off.
Berg went to New York for the 90th birthday party of Ray Arcel. There, among a stellar cast that included Holmes, Graziano, Zale, LaMotta and Pep, as well as contemporary champions such as Breland and McGirt, Berg stole the show with an emotional speech about how much Arcel meant to him. On the way out, I was collared by an octogenarian former fighter who, pointing at Berg, announced, ‘Forget all the others. This is the guy. This guy is really the one.’
Coincidentally there was a musical named “Legs,” about the ‘30s gangster Legs Diamond, playing on Broadway at the time. Berg knew Diamond well, having once been threatened with death by him for attempting to chat up Diamond’s girlfriend at the Harding Hotel, where Berg lived one floor beneath Mae West. “We had to do a lot of fast talking to get out of it,” was Arcel’s recollection. Berg had also been au fait with Harlem nightlife, and was a regular at the Cotton Club, whose benefactor, Owney Madden (played in the movie by Bob Hoskins) had been a big Berg fan.
Once Berg took an interest in a Jewish fighter called Gary “Kid” Jacobs from Scotland, a useful welterweight apparently named in the tradition of Kid Lewis and Berg. Jacobs’s management did not know what they had let themselves in for by adopting this marketing strategy. Berg trailed him like a protective bloodhound, saying “Gary is the new me.” Jacobs, who was sensible enough to play along with it, asked Berg if he had any specific tips. “Lay off women before a fight,” Berg replied. “Just remember what happened with me and Billy Petrolle.”
He was someone who resolutely refused to countenance the banality of ordinary life, and was determined to live a mythic one, visiting again and again its landmarks. He himself had established them, after all.
(by Jonathan Rendall)
very good
