Re: Calzaghe-certain-he-would-have-demolished froch-in-his-prime
Posted: 15 Jun 2015, 08:03
They did Hatton's 10 year party on Saturday.
There's always good music, and there's some brilliant songwriting going on right now - Ed Sheeran, even if you don't like his music is an incredible lyricist, - considering he's a mainstream artist, I'd say it's pretty healthy, though I do find a lot of the current vocoder dominated overproduced pop music pretty anodyne these days.freddydoesdallas wrote:90s was ace. That line was ace. Music is now poo.stevieb_8006 wrote:Black grape. Kellys heroes. That's easy. Britpop 101.Boxerbeetle wrote:Oh yeah, the 90s also produced possibly my favourite lyric ever:
Jesus was a black man
No, Jesus was Batman
No, that was Bruce Wayne
(Cudos to anyone who gets the artist & song title)
Great album btw. Top 5 of all time
luckily i can relive my youth daily for 2 hours in the car and fetch my bucket hat, flared jeans and long sleeve round neck adidas t for the weekend
The Monkees of their day, - flyaway pop-dross.Counter-puncher wrote:Nah, thought they were awfulBoxerbeetle wrote:Did you not rate Supergrass? They weren't anywhere near my favourites, but Caught by the Fuzz and Richard III are ace songs.Counter-puncher wrote:Supergrass, beetle?![]()
I'm gona file this under never a truer word spokenG0mez wrote:
The 90's was ok, but it was mainly bands spawning off the originals - it crossed over into the mainstream and then you'd have gangs of muppets in beanie hats getting wankered and slurring Sally Cinnamon along together in unison to the corpse of the Stone Roses. The same lads who'd take the piss out of us kids 'with silly long hair' when the band actually mattered.![]()
Prior to Oasis, the only way you heard proper Indie music was going into a record shop, or in a club. Now and again the "Chart Show" on ITV would flick through the Indie chart and you'd get a glimspe of Cocteau Twins, Monday's or Carpets. It was very cool and underground (believe it or not).
Weatherall, Oakenfold should get a lot of credit too during that periodII
Ed Sheeran is a wet lettuce. Pretty much sums up the current awful state of music for me. Bland, inoffensive stuff that appeals to parents and kids. Middle class england personifiedjamesmcdonnell wrote: There's always good music, and there's some brilliant songwriting going on right now - Ed Sheeran, even if you don't like his music is an incredible lyricist, - considering he's a mainstream artist, I'd say it's pretty healthy, though I do find a lot of the current vocoder dominated overproduced pop music pretty anodyne these days.
Each to their own - don't see what class has to do with it - the guy writes very beautiful lyrics - for me Oasis were the most overrated band of all time - football chant lyrics and mock beatles horseshite, few good tunes, but really pretty simple stuff.freddydoesdallas wrote:Ed Sheeran is a wet lettuce. Pretty much sums up the current awful state of music for me. Bland, inoffensive stuff that appeals to parents and kids. Middle class england personifiedjamesmcdonnell wrote: There's always good music, and there's some brilliant songwriting going on right now - Ed Sheeran, even if you don't like his music is an incredible lyricist, - considering he's a mainstream artist, I'd say it's pretty healthy, though I do find a lot of the current vocoder dominated overproduced pop music pretty anodyne these days.
SNG wrote:We need to get you some new records, Steve.
Riot girrrrl, or 'New Wave of New Wave', anyone?orbtastic wrote:
The music press had a hard-on for making scenes out of nothing or hyping bands and it's almost like they had to constantly champion something, no matter how bad or poor it was.
It especially is if you aren't really all that interesting either. Very very few bands managed to stay interesting once they made it.orbtastic wrote:You only have to look at Noel's roots to see that what made Oasis (for an album and a half at least) is what broke them. You can't compare writing lyrics (albeit simplistic ones at that) whilst on the dole or hiding away in a cupboard on your YTS scheme to writing lyrics whilst in 5-star hotels and on huge air-conditioned tour buses. You've only got to look at the clumsy use of the Alessi "sugar" jar to see where the majority of his motivation came from.
One of my mates was in Neon Plastix, it was quite surreal seeing people massively into it, non ironically. I think they (Plastix) and Klaxons were being serious whilst at the same time sort of taking the piss. It's true that they were letting people write about a scene that didn't exist, but don't tell me when you're driving in a limo to headline a festival somewhere in Europe and being paid for it, that you're "really taking the piss out of the whole scene, man"...SNG wrote:Nu-rave in the mid to late 2000s has to be the worst. Talk about stretching the link between all those bands, I do remember going to see Klaxons and MGMT and some people were wearing the get-up so the NME got through to some people.
Was it you that mentioned Shed Seven? Wasn't the guy you know doing the pub quiz at Orgasmic?mickey1975 wrote:I have it on good authority that Noel is a bit of a dick. Great two albums, though. Soundtrack to my youth.
orbtastic wrote:One of my mates was in Neon Plastix, it was quite surreal seeing people massively into it, non ironically. I think they (Plastix) and Klaxons were being serious whilst at the same time sort of taking the piss. It's true that they were letting people write about a scene that didn't exist, but don't tell me when you're driving in a limo to headline a festival somewhere in Europe and being paid for it, that you're "really taking the piss out of the whole scene, man"...SNG wrote:Nu-rave in the mid to late 2000s has to be the worst. Talk about stretching the link between all those bands, I do remember going to see Klaxons and MGMT and some people were wearing the get-up so the NME got through to some people.
Let's be frank, they both came across as massive twats on the way up, people found it amusing, but they probably weren't nice people to be around.mickey1975 wrote:I have it on good authority that Noel is a bit of a dick. Great two albums, though. Soundtrack to my youth.
It was just strange seeing the crowds change as the bands got a bit bigger, and then the fashion side crept in (which was bloody awful, no idea where that came from). The bands linked under the banner were all quite odd I thought, you had the likes of Hadouken! Klaxons, CSS, The Sunshine Underground and even Enter Shikari were with their first record, very different sounding bunch of bands if you ask me. Whether they meant it or not the 'scene' was very much a media construction, as the early gigs weren't like the later ones when the scene kicked in.orbtastic wrote:One of my mates was in Neon Plastix, it was quite surreal seeing people massively into it, non ironically. I think they (Plastix) and Klaxons were being serious whilst at the same time sort of taking the piss. It's true that they were letting people write about a scene that didn't exist, but don't tell me when you're driving in a limo to headline a festival somewhere in Europe and being paid for it, that you're "really taking the piss out of the whole scene, man"...SNG wrote:Nu-rave in the mid to late 2000s has to be the worst. Talk about stretching the link between all those bands, I do remember going to see Klaxons and MGMT and some people were wearing the get-up so the NME got through to some people.
That will have been Alan, the drummer. He's developed some sort of pub quizz app. I know him a bit, not much. Doing well with it, apparently.orbtastic wrote:Was it you that mentioned Shed Seven? Wasn't the guy you know doing the pub quiz at Orgasmic?mickey1975 wrote:I have it on good authority that Noel is a bit of a dick. Great two albums, though. Soundtrack to my youth.