Classic American West Coast Boxing

Randyman
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Re: Classic American West Coast Boxing

Post by Randyman »

Expug wrote:
Randyman wrote:
bennie wrote:Hey, Randy, what name did you fight under?
I fought under my own name Randy De La O, I only had a couple of fights. They are not in Boxrec's records. I haven't yet tried to contact them to add my fights. Both my opponents are in the record books but there records are woefully incomplete. I fought a four round draw with Ignacio "Nacho" Cota on August 13, 1976 at the Coliseum in San Diego. Everyone but the judges felt I won that fight.

I lost a decision (it was a close fight) to Eduardo Barba of Mexico, at the Aladdin Hotel and Casino in Las Vegas on October 30, 1976. Barba was a ten round fighter. His opponent, for whatever reason, had backed out two weeks before the fight and they needed an opponent for him. I fought a six round fight with Barba. I out boxed him for three rounds but he got the best of me overall. Joey Giambra was the referee. It appeared on the Wide World of Sports, but only because it was the opening fight for the Mike Quarry vs Tom Bethea fight. It wasn't exactly a stellar career but I did what I was supposed to do. I fought and did my best.

Randy
Its damn impressive being able to go 6 rounds with a ten round fighter.
I know how tough it is to go 4.
I never went 6.
I know Barba was most likely a tough sob.
A few pages back, Rick wrote about how he felt about fighting at the Olympic Auditorium in Los Angeles. That's the way I feel about having stepped into the ring, regardless of the outcome. As we all know, not every can or would do it. The one thing I did learn from that fight, in hindsight, is that we have to realize what our victories are and recognize them when they come our way. I consider it a victory of a sort just to have been a four round fighter that stood with a ten round fighter and came close to beating him. How's that for looking at the glass half full?

On the flight back from Las Vegas, Mel and I were sitting quietly. I was disappointed that I didn't get the win. A man walked up to me and introduced himself to me as Alex Calderon, he was some exec with TWA, whose flight we were on. He said "Excuse me but weren't you one of the fighters that fought at the Aladdin?" I looked up, more embarrassed than anything else and said "Yes". He grabbed my hand and started to shake it with excitement. I was still confused because I had lost the fight. Suddenly he was no longer an executive for TWA but a fight fan. He told me what a great fight it was and that I had really fought a good fight. I didn't know what to say. I was wearing sunglasses to hide my swollen left eye and just didn't want any attention but then he asked me for my autograph! I was shocked and to tell the truth I felt undeserving, I felt he was mistaking me for someone else. I looked at Mel and he said "Just sign it" he was smiling. So I signed it. Then Calderon says "Excuse me for one minute". Mel was laughing at my discomfort. The guy comes back with a wine bottle, with all the stewardess' and stands next to me. I was completely unprepared for what he did next. He said to everyone on board, "Excuse me, Ladies and gentleman, can I have your attention please? I want to introduce you to Randy De La O, he just fought a great fight at the Aladdin Hotel this weekend" He went on for a while, I can't remember everything he said because it was pretty much a blur. He then presented me with a wine bottle with a notation on it the read: "To Randy De La O, Good luck in the fight game". from Alex Calderon. I just remember everyone clapping and Mel saying to me, still laughing "Stand up and thank the people". So I did. I thanked everyone. I can tell you after that the flight home was a lot easier to bear. :TU:
Last edited by Randyman on 31 Aug 2008, 13:46, edited 1 time in total.
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Re: Classic American West Coast Boxing

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From Jacquie Richardson, a
very close friend of Alex Ramos.


Dear friends, I am writing this to people who I know love and care about Alex Ramos.

He is in the hospital in critical condition. He is on a respirator. After several hours in the Emergency Room, he has just been transferred to the Intensive
Care Unit. He has nor regained consciousness, and now, he is in a drug induced coma to rest his brain. The best guess at this time, per the physician, is that he suffered from brain seizures and possibly an asthma attack. His vital signs are stable, finally. The worked on him for over an hour this morning to resuscitate him in the ER and performed many tests. He had a CT scan and his brain shows no sign of bleeding or anuerysm. His
tox screens came back negative --no alcohol or drugs.
Since I had not heard from Alex since yesterday at 5:30 PM, and since
he had not checked his email for 15 hours, I became worried (If you
know Alex, you know he calls me frequently!). I called his apartment
manager, Vicky, and told her that I had a bad feeling and if she saw
Alex, would she call me and tell me he was alive. As we talked, I
told her that I did not want to impose on his right to privacy, but I
was concerned that he might have fallen or that he was sick. Vicky
called her manager and made the brave decision to go into the
apartment. Without going into details, Alex was unconscious, with
shallow breathing and probably near death. Vicky called 9-1-1 and
they attempted to stabilize him and took him to the Emergency Room.
ER Staff worked for another hour to stabilize him, using a hand
respirator. He had a CT scan that revealed no bleeding or anuerysm.
As I said, Tox screens came back negative. Based on the description
of how he was found (body and neck rigid/stiff), there is a strong
suspician that he suffered a seizure, and complications from asthma.
I will keep you posted. Please, if you have a prayer in your heart,
use if for Alex. He will be slowly weaned from the respirator which
will leave us with some answers about how much damage has been done
early tomorrow morning. Alex is loved by many people through out
the world and he needs you to pray for his recovery.
As he always says...."God Bless!"
Jacquie
RETIRED BOXERS FOUNDATION

Lets all pray for his 100% recovery,
Randyman
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Re: Classic American West Coast Boxing

Post by Randyman »

kikibalt wrote:From Jacquie Richardson, a
very close friend of Alex Ramos.


Dear friends, I am writing this to people who I know love and care about Alex Ramos.

He is in the hospital in critical condition. He is on a respirator. After several hours in the Emergency Room, he has just been transferred to the Intensive
Care Unit. He has nor regained consciousness, and now, he is in a drug induced coma to rest his brain. The best guess at this time, per the physician, is that he suffered from brain seizures and possibly an asthma attack. His vital signs are stable, finally. The worked on him for over an hour this morning to resuscitate him in the ER and performed many tests. He had a CT scan and his brain shows no sign of bleeding or anuerysm. His
tox screens came back negative --no alcohol or drugs.
Since I had not heard from Alex since yesterday at 5:30 PM, and since
he had not checked his email for 15 hours, I became worried (If you
know Alex, you know he calls me frequently!). I called his apartment
manager, Vicky, and told her that I had a bad feeling and if she saw
Alex, would she call me and tell me he was alive. As we talked, I
told her that I did not want to impose on his right to privacy, but I
was concerned that he might have fallen or that he was sick. Vicky
called her manager and made the brave decision to go into the
apartment. Without going into details, Alex was unconscious, with
shallow breathing and probably near death. Vicky called 9-1-1 and
they attempted to stabilize him and took him to the Emergency Room.
ER Staff worked for another hour to stabilize him, using a hand
respirator. He had a CT scan that revealed no bleeding or anuerysm.
As I said, Tox screens came back negative. Based on the description
of how he was found (body and neck rigid/stiff), there is a strong
suspician that he suffered a seizure, and complications from asthma.
I will keep you posted. Please, if you have a prayer in your heart,
use if for Alex. He will be slowly weaned from the respirator which
will leave us with some answers about how much damage has been done
early tomorrow morning. Alex is loved by many people through out
the world and he needs you to pray for his recovery.
As he always says...."God Bless!"
Jacquie
RETIRED BOXERS FOUNDATION

Lets all pray for his 100% recovery,
I am so sorry to hear this. He is in my prayers as I write this. I will continue to keep him in prayer.

Randy
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Re: Classic American West Coast Boxing

Post by kikibalt »

Image
Alex Ramos (C) with Tony Baltazar and Jerry Cheatham
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Re: Classic American West Coast Boxing

Post by dagosd2000 »

kikibalt wrote:Image
Tony Baltazar, Alex Ramos and Jerry Cheatham
Guys with smiles like this should stick around for a while. Hang in there Alex.
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Re: Classic American West Coast Boxing

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I got this out of an old boxing magazine years ago. It was written as anonymous but I have since learned that it was written by Teddy Roosevelt. I think you guys will get it and appreciate it.
Randy

.....It is not the critic who counts; not the man who points out how the strong man stumbled, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs and comes up short again and again; who knows the great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best, knows in the end the triumph of high achievement and who, at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those timid souls who know neither victory or defeat........Teddy Roosevelt
Last edited by Randyman on 31 Aug 2008, 14:07, edited 1 time in total.
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Re: Classic American West Coast Boxing

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dagosd2000 wrote:
kikibalt wrote:Image
Tony Baltazar, Alex Ramos and Jerry Cheatham
Guys with smiles like this should stick around for a while. Hang in there Alex.
Amen to that!!
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Re: Classic American West Coast Boxing

Post by dagosd2000 »

I remember reading years ago when Joe Louis' family had him committed to a mental hospital. I remeber Joe Louis Jr. talking about making the decision. The most difficult thing he ever did. Seeing your father paranoid and hallucinating tore the son apart. He said he thought his father was going to die. The family was unable to help Joe,so they turned to the doctors. I remember seeing the picture of Joe when the ambhlance came to get him. Louis always had that sad face. I don't think I ever saw it sadder. When his son was talking about that episode,he started to break up. He had always had a hard time getting close to his father. Joe Louis was bigger than life and it was difficult for the two of them to come together. Before Joe was taken away,he said to his son"I wish you would have talked to me first about what you were planning to do."

Of course The Brown Bomber was right,and the son knew it. But it was too late. A son who loved his father. Who tried desperately to communicate with him. Who finally had him commited to try to help. A decision he regretted later. At least,his father was right,he should have talked to him first. Out of respect if nothing else. Joe Louis Jr. The weight of the world must have been on his shoulders. I hope with the passing of time,that load has lightened a little.
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Re: Classic American West Coast Boxing

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Image
Here is Alex Ramos with Tony and me.
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Re: Classic American West Coast Boxing

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Randy,

I hope you don't mind me posting some of these article on your web site.
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Re: Classic American West Coast Boxing

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Lausse wrote:You guys remember a lightheavyweight fighter by the name of Jimmy Lester? he fought out of San Fran back in the day and was an all out action fighter apparently who scored some good wins during his career. I`ve heard he fought Andy Kid Heilman twice and one of those two bouts was a great, great fight, think it was the first one but I`m not so sure anymore.... anyone got any stories or thoughts to share about Jimmy?
Yes, I remember Jimmy Lester, but I don't think I ever seen him fight, live anyway.
Nothing stick out in my mind about him or his career.
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Re: Classic American West Coast Boxing

Post by Randyman »

kikibalt wrote:Randy,

I hope you don't mind me posting some of these article on your web site.
Frank with all the photos and information that I have got from you that site is as much yours as it is mine. You have complete freedom to post anything.

Randy
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Re: Classic American West Coast Boxing

Post by kikibalt »

Randyman wrote:
kikibalt wrote:Randy,

I hope you don't mind me posting some of these article on your web site.
Frank with all the photos and information that I have got from you that site is as much yours as it is mine. You have complete freedom to post anything.

Randy

Randy, if you want, you can post these pics. of Alex in your site.
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Re: Classic American West Coast Boxing

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Image

Front row on left a young Alex Ramos

1976 St. Nobert's College, Green Bay--Depere, WI



here's Alex now
Image
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Re: Classic American West Coast Boxing

Post by Randyman »

kikibalt wrote:
Randyman wrote:
kikibalt wrote:Randy,

I hope you don't mind me posting some of these article on your web site.
Frank with all the photos and information that I have got from you that site is as much yours as it is mine. You have complete freedom to post anything.

Randy

Randy, if you want, you can post these pics. of Alex in your site.
I just did that. Those are really great photos too. Thanks
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Re: Classic American West Coast Boxing

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Randyman wrote:
kikibalt wrote:I'm going to take Rick down memory lane.

Image
the El Monte Legion Stadium
Frank, I had a couple of fights there but they weren't in the ring. As you probably remember, they would have dances there. Chicanos from all the surrounding barrios would show up. Things would be going real nice ....for about five minutes, then a small fight or two would break out. Eventually it was chaos, the lights were turned on, girls were crying, the guys strutting like roosters. Maybe a couple of more fights outside and then were on our way to a party. The good ol' days.
Randy,

My wife and I went to the dances at the EMLS. a few times back in the 50's, never got in a fight, though I seen a few, the fights were always over a girl.... :box:
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Re: Classic American West Coast Boxing

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Image
Art Aragon's trainer, Bennie Conyers, visits the ballroom of the Lafayette Hotel, where challenger Carmen Basilio is giving an exhibition. "There's a spy in the house today," Basilio quips to the audience before doing some shadowboxing.

Image
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Re: Classic American West Coast Boxing

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THE DANCE

"I'm tellin' ya' I know this guy. If you're lookin' for trouble,he'll give it to you."
The bunch of us piled into the car and headed for the St. Judes Church dance they were having at the old Roller Skate Rink on University Boulevard. The Imperials were going to play. Everyone liked their music. They played "Louie Louie" better than the record.
"You think you can handle yourself,but this guy used to box."
My friend Paul thought just because he acted crazy,he had an advantage in a fight. There were times when I saw him in some real knock down drag outs,but he wanted to fight the baddest dude at this shin dig and he didn't know what was in store for him.

The guy he was looking for was a guy who fought back East and then moved to San Diego. His name was Jerry Simkins and I think he fought as a Light Heavy. I didn't know much about his career,but I saw him in action a few times. He finished guys off real quick.I think he was Irish,but I could have been wrong. He looked it. Red hair. Fair skin. His problem was that if you could kick his ass,well,you were toughest kid on the block. He wanted no part of it really. He just wanted to have a good time when he came back from fishing on the Tuna boats.

The Skate rink was packed to the doors. They made you take your shoes off so you wouldn't scuff the floor.
"Roger ,you see him?"
"No,if you want trouble,you find it."
My buddy Paul was feeling no pain from the preliminary drink fest we had down at the beach all day. Come to think of it,I don't think I ever saw Paul fight when he wasn't drunk.

We roamed around looking for girls,while Paul was looking for Simkins. One of the guys we're with comes running up to Paul all excited.
"He's at the bleachers with his friends."
Well we knew his friends would hang back. There was no problems with a disadvantage. My buddy Paul kind of swaggers over to Simkins. He's leaning aginst a bleacher seat and sees Paul walking towards him. I think Simkins knew what was going to happen. He didn't budge until Paul was right up on him. I thought I heard Paul say something to him.

I was looking,but for the life of me, I didn't see it. Simkins hit him so fast that Paul was on his back before you could say,"I told you so." I don't know what Simkins hit him with or how many times. Paul staggers up kind of smiling and looking embarassed. Then bang. It happened again. This time Paul gets up,but turns to me. His eye is cut and his lip is split.
"Roger,let's go home."
I never saw Paul give up so fast like that.I looked at him and shook my head.
"I came here to find some girls.With that mug of yours now ,I don't think you'll have much luck."
Last edited by dagosd2000 on 31 Aug 2008, 23:41, edited 1 time in total.
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Re: Classic American West Coast Boxing

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Irish Bob Murphy

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"Murphy"

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Re: Classic American West Coast Boxing

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Battling Nelson

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"Battling"

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Re: Classic American West Coast Boxing

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Ad Wolgast

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Re: Classic American West Coast Boxing

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Stan Laurel and Oliver Hardy

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"Laurel & Hardy"

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Re: Classic American West Coast Boxing

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A city grows in East L.A.?
Residents of the area, long known for its activism and culture, think incorporation could end neglect and solve some local problems.
By Jim Newton, Times Staff Writer

'This has engaged the community. The demographics are there. The history is there. The reason is there.'
— State Sen. Gloria Romero drawing upon a rich history of activism and a nagging sense of neglect, residents and leaders of East Los Angeles have launched a campaign for incorporation, a move that would create a new city in a historic center of Mexican American culture.

The drive for East L.A. cityhood has grown from nascent to palpable in recent months, and advocates believe their goal, which many have nurtured for a generation, at last could be within reach.

Over the last few months, cityhood has been the subject of spirited community meetings — more than 300 people turned out for one session late last year — and increasingly active political talks. Just last week, leaders of the effort met with county officials to analyze the tax consequences of incorporation. Petitions could begin to circulate this spring, and it's possible that voters could consider the question later this year.

If they are successful, East L.A. would become a city of roughly 140,000 people, one of the 10 largest in Los Angeles County and one of the most overwhelmingly Mexican American cities in the United States. More important for many of those who believe in cityhood, its success would validate East L.A.'s long-standing place in the neighborhood culture of Los Angeles rather than continue its existence as a scrap of unincorporated land left behind as cities around it took shape.

State Sen. Gloria Romero (D-Los Angeles), a leading proponent of the idea, says she has been struck by the intensity of the emotional response to it.

"This has engaged the community," Romero said last week. "The demographics are there. The history is there. The reason is there."

For many in East L.A., the promise of cityhood is long overdue. Indeed, for such a small slice of Greater Los Angeles — the community covers less than 10 square miles bordered by Boyle Heights and Monterey Park, Commerce and Montebello — East L.A. has made a sizable name for itself.

It is a thriving source of cultural life, a community as identifiable and coherent as the many others that make up modern Los Angeles: Hollywood or Bel-Air, say, or Van Nuys, Watts, Boyle Heights, Leimert Park or Mount Washington.

Given its demographics, East L.A. is politically significant as a laboratory for the growing electoral clout of Latinos, particularly Mexican Americans.

As such, its halls and public spaces are mandatory stops for aspiring politicians eager to demonstrate their support among Latinos. Last fall, Democrat Phil Angelides, whose gubernatorial campaign by then already was sputtering, attended an East L.A. Chamber of Commerce luncheon and tried vainly to elicit enthusiasm for his cause from a plainly skeptical audience.

Culturally, it has a different cachet. It has produced muralists and musicians, writers and chroniclers of Mexican American life for generations. One enduring contributor has been the band Los Lobos, whose members come from East L.A. and whose original name was "Los Lobos del Este Los Angeles."

Louie Perez, a founding member of Los Lobos, vividly recalls growing up on the edge of East L.A. — the smell of his mother's coffee blending with the scents from the tortilleria next door in the morning, the sounds of radio personality Elenita Salinas rousing him from bed. At night, he and his sister and friends would hear the backyard parties with mariachi bands as they made their way to the parking lot of the Johnson Market, where Thee Midnighters would be mobbed by young fans.

In those days, he said, "East L.A. was our entire universe…. Leaving it was like leaving the edge of the Earth."

As he grew older, Perez was immersed in the ferment that overtook his neighborhood. One afternoon in August 1970 he was riding his blue Stingray bicycle near Whittier Boulevard when he spotted smoke. A peaceful demonstration had escalated into a clash with L.A. County sheriff's deputies, and riots tore through East L.A. that day.

A few blocks away, a man shooed Perez from the Silver Dollar cantina, warning him that a man was dead inside. That man, journalist Ruben Salazar, had been killed by a deputy; 27 years later, Salazar remains a political martyr in East L.A.

Los Lobos formed in 1973, and the band's absorption of Mexican music into its American idiom immediately placed it in the cultural and political turbulence of the community. As the band developed, its members captured and amplified East L.A. culture, supplying a soundtrack to Chicano activism not unlike what Jimi Hendrix gave the Black Panthers. Through the years, Los Lobos has helped to extend that East L.A. culture around the world.

"I'll be looking for my old neighborhood my whole life," Perez said last week. "It was an incredible place to grow up."

Image

Image


Among the hallmark moments of East L.A. activism were the student walkouts of 1968, and many who live in the area today participated. Indeed, one young protester was none other than Los Angeles Mayor Antonio Villaraigosa, who cites that episode as a formative one in his young life.

Sal Castro led the walkout movement that year and remains a beloved figure in East LA. Last week, he was among the hundreds of people who turned out for the dedication of a new East L.A. "City Hall," the work of County Supervisor Gloria Molina, another veteran of the area.

Now 73, Castro can recall the days before freeways carved up East L.A., an era when the community felt more tight-knit. And he remembers the previous attempts at cityhood, including the promise that East L.A. would become part of Commerce, an idea bandied about but withdrawn when, Castro believes, the leaders of Commerce shrank from the idea of taking on such a large population of Mexican Americans.

Today, Castro believes that the community is ready to become its own city, not merely a part of one of its neighbors.

"Hell, yes," he said one day last week, surveying the crowd at the new City Hall. "Let's go for it."

Albert Palacios teaches government at Garfield High School, East L.A.'s high school, where he tutors his students on the history and potential of East L.A.'s incorporation efforts. Palacios took to the idea of cityhood some time ago and has become one of its most ardent advocates.

Palacios has been in East L.A. for decades. He witnessed the emergence of the Brown Berets in the mid-1960s, when that organization formed to agitate for the rights of Mexican Americans. He was there for the student walkouts and the protests over abuse at the hands of the Los Angeles County Sheriff's Department — and for the evolving atmosphere of demonstration that turned on the war in Vietnam.

Today, Palacios looks back on those years as a "very contentious time" but also one of solidifying community sentiment.

Molina agrees. East L.A., she notes with fondness, is an area forged in activism and protest, the same currents that have shaped her own life. As a young woman, she attended East Los Angeles College — which, curiously, is just outside East L.A. Molina is hardly blind to East L.A.'s difficulties: It has long suffered more than its share of gang violence and other crimes. As a young woman, she tutored gang youths nearby and witnessed the community's sense of neglect as well as its stubborn pride.

As a supervisor, Molina has taken special interest in the county's unincorporated areas, including East L.A. She presided over a long and concerted effort to bring a civic complex to the area, one for which ground was broken just last week. Among advocates of cityhood, many hasten to emphasize that they are happy with her representation of their area, though some worry about her ability to stay close to community issues when she represents roughly 2 million constituents across a wide swath of Los Angeles County.

Molina is uncommitted regarding cityhood for East L.A. She applauds the community spirit behind the idea but wonders whether the largely residential neighborhoods can supply enough tax revenue to support a city government, whether the retail areas clustered along Atlantic Boulevard can be beefed up enough to float a city where none has existed for so long.

"I'm not opposed to the community wanting to have its own mayor and city council members," Molina said last week. "I'm just concerned about the ability to pay for itself."

Where Molina has questions, however, Romero expresses confidence.

"I have no doubt that this is a self-sustaining community," she said. "This is prime property."

Whatever one thinks about East L.A.'s tax base, there is no denying the sense among its residents that a moment is at hand, that politics and population trends and culture have all coalesced in a surge of neighborhood pride.

When Molina opened the new government center last week, hundreds of residents turned out, many dressed up for the occasion. They cheered loudly as speakers hailed the coming of age of East L.A. and beamed with pride as speaker after speaker touted the facility as evidence of the community's growth and worth.

Standing off to the side, Palacios surveyed the crowd that cloudy morning and reflected on the decades of protest that had brought the community to where it is.

"People have mellowed," he said of East L.A. and its quest for cityhood. "People have matured. We're ready."

Image

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Re: Classic American West Coast Boxing

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ONLY IN PURE L.A. -- A cabby told it to reporter Frank Laro:

Two men got into his cab and asked if he could take them to a place where there were some women. (By the way, this is a frequent request and one fraught with peril).

The cabby cagily drove them to Hollywood Cemetery, handed them the fat taxi tab and said:

"There they are, boys, dig 'em up."

He'd recognized them as vice squad officers.
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Re: Classic American West Coast Boxing

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THE CHICANO LOWRIDER
Low & Slow

By Lonewolf

Candy apple red, twice pipes and low to the floor," Cheech Marin describes Santa's sleigh from a low rider’s point of view. After all, what resident in the Southwest could identify with a snow sleigh in our deserts? To the rest of the country, the highly decorated older car slung low on its small tires, has become a symbol of an alternative lifestyle, low and slow.

Originally centered in El Chuco and East Los, their popularity later spread to the rest of Tejas, Arizona, Nuevo Mexico, Colorado and the Midwestern States. Low riders then went on to cruise their way through America. and now they are world renown.

Don't let the age of low-riding fool you, low riders came forth as a rebellion against the hot-rodding middle-class Anglo-Americans of the 1940s, and what started as a proud accomplishment by a talented group of Pachucos, has turned over the last 60 years, into the covetted cruiser style of todays street scene.

Young Chicanos watched their Jefitos customize their Chevy’s from top to the bottom. First he rebuilt the engine, and then he stripped the body down to the bare metal before painting it. All of the chrome on the car was re-plated. Then the car had to be reupholstered in velvet.

The cost of customizing the ride inside and outside nowadays is extraordinary. So much money is spent on La Ranfla, that many now won’t drive them regularly on the streets for fear of damage or carjacking. It is ironic that the low rider tradition was started by earlier generations who couldn't afford a new Ranfla, and instead improved on the car they owned at the time. Now this generation spends a ton of money and time to continue the customizing tradition.

The phenomenon of customizing done by Car Clubs which creates unique show-vehicles, is nothing less than true works of art depicting the individualistic self-expression of Los Chicanos.

Each Ranfla is unique. First of all, the engine needs to be in good repair. Next, removing one-half of the suspension coils lowers the vehicle. Smaller tires, and wire wheels, known as mags, are added for the ground-hovering cruiser. Extra details are added for each individual's taste. A circle of chrome-plated welded chain in 6-, 8- or 10-inch diameter can replace the steering wheel, and electric antennas can also be added. Chrome dummy spotlights or "dummies" and a pair of decorative exhaust side pipes compliments the ride. To give La Ranfla performance and social challenge to other low riders, hydraulic pumps are installed to the front and rear ends, and the slick look of the ride without door handles is achieved by replacing the door handles with "pop doors,” which open with a concealed switch.

There are three different types of paint jobs available for the enthusiast: metal flake, pearl finish and candied finish. Metal flake finish starts with five coats of colored lacquer. Next three coats of clear lacquer mixes with colored metals flakes are applied, followed by eight coats of clear lacquer.

For the pearl finish, clear lacquer mixed with a "mother-of pearl" powder is applied after the base color to produce a rainbow effect. Then come the eight coats of clear lacquer.

The candy finish is achieved with a base of five coats of gold or silver lacquer. The color layer is now added, and three coats of clear lacquer follow to make a glasslike coating much like a candied apple. Finally, eight coats of clear lacquer follow.
Colorful geometric designs, door pinstripes and painted murals can take a month or more to complete the exterior paint job.

Next comes the interior transformation. The low rider tradition is to re-upholster the seats, door panels, ceiling and dash in velvet. Even the trunk can be lined in velvet. And for additional luxury -velvet covered swivel seats, small chandeliers, sound system, television, wet-bar, and etched glass detailing, further customizes La Ranflita’s windows and windshields.

The total cost of customizing La Ranfla runs well into a small fortune to say the least.

The low rider pride and hard work of his masterpiece now goes on to be show-exhibited at car shows and conventions. Gone are the days when the local Dairy Queen was the setting for competitions. Today Bajitos compete for trophies and national prominence in custom car magazines.

Cruisin’ is the low rider favorite activity -- how else could anyone appreciate the $3,000 paint job? Low rider also must assume the correct driving posture: slouched all the way down in a cool comfortable manner. "Because La Ranfla always must take center stage."

In April, a 1969 Ford LTD low rider owned by the late David Jaramillo of Chimayo, Nuevo Mejico, was sold to the Smithsonian Museum for its permanent collection. "Dave's Dream" caught the eyes of Smithsonian curators when they were looking for items representing the -

- “culture of the Rio Grande Valley.”

His Ranflita is black, covered with candy apple red lacquer mixed with multicolored iridescent metal flakes. The side of the ride sports a wide gold stripe along with ribbons, butterflies and stars, and the interior is upholstered in red and black velvet. In the back, a television sits waiting to be turned on.

La Carrucha took Jaramillo years to complete and is a source of pride for the whole Chicano Familia, for it is the first low rider in history to go into any museum.

The low rider, beginning as an Pachuco answer to the hot-rod, is a source of pride for the owners of these "raites, who pour their heart on its creation, as well as much time & labor into their dream machines.

El Ruco having so much more deeper value than any amount of feria spent.

La Ranfla is a symbol of self-expression and an extension of the individual through functional art form.

“Bajito Y Suavecito” is entirely in consort with the Chicano cultural life style.
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