fitz v Dempsey
Posted: 20 Jan 2007, 15:50
The Fort Wayne Sentinel – 11th June 1910
WITH John L. Sullivan the fourth period of fistic history comes to an end. His defeat of Kilrain, the last championship battle under the London prize ring rules, was the logical climax of pugilistic science as developed with those rules.
The modern period of pugilism dates from the appearance of James J. Corbett, who under the Marquis of Queensberry rules, devised entirely new methods and principles for the sport Corbett stands as the first great master of the present 'school of boxing, corresponding in influence and importance with "Dan" Mendoza, who furnished traditions and formulas for the earlier school.
Stepping aside from the course of the heavyweight championship, mention should be .made of one of the most remarkable battles in pugilistic annuls which intervenes, In point of time, between the Sullivan-Kilrain and Sullivan-Corbett fights.
The meeting between "Jack" Dempsey and Robert Fitzsimmons first brought public attention to the man who afterward proved invincible until crushed by the biggest and, as held by some, the greatest heavyweight of them all. It is valuable as illustrating the early achievements of the conqueror of Corbett and the marvelous courage of a plucky little fighter who was matched far out of his class.
UNREMITTING labor, twelve hours of It In the day, fashioned the gawky fighting machine that was Robert Fitzsimmons, gave him his massive knobs of muscle where he needed them and trained his spindly frame Into a tower of strength. The smithy was his first gymnasium and the hammer his apparatus. Born in Cornwall June 4,1862. he began to pound the anvil as soon as he could top it.
Having emigrated to New Zealand, he made his first appearance in the ring at a tournament to determine the amateur title of the colony held at Timaru, In 1880, under the management of "Jem" Mace, the former world's champion. The incredulous spectators saw a tall, quiet man with a slight stoop, a homely, pleasant face of clerical cast and an altogether awkward and un businesslike makeup slide Into the fray and put away four men In succession apparently by sleight of hand. In the following year he entered again at the same place and polished off five contestants in a night, among them the Maori giant, Herbert Slade, the much vaunted (.opponent of John L Sullivan at a later date.
The commonly accepted view at the time, and a view that persistently cropped up for years afterward in regard to Robert Fitzsimmons, was that his achievements stood for a mistake. Those little given to analysis preferred to wave him aside as the ephemeral product of favorable conditions and blind chance. It was natural that it should be so. Of all fighters who ever stood within the squared circle he was undoubtedly the least spectacular In the eyes of observers who did not understand how to appreciate his cunning and his consummate skill. He stepped a few paces with an opponent and lo, the man was out and none could tell the manner of it. Whereupon the undiscerning many cried upon luck while the wiser few spoke of masterly strategy and unequalled fighting equipment.
To boxing followers schooled in admiration of the older type of pugilist Robert Fitzsimmons was no more the figure of a fighter than was David to the Philistines before he smote them. Tradition decreed that a boxer should be a stalwart, beefy, rock ribbed and builded specimen, with a pair of flailing fists and ''' unlimited capacity for bard knocks. The bigger and tougher and stronger he was by so much he approached the popular fancy more closely. Even shifty fighters were at least supposed to be constructed with some regard to symmetry .
But what possible connection could exist between this thin, stooping, knock kneed Individual with his deprecating, good natured smile, shambling gait, top heavy Body and unimpressive pose, and the brawny hero of fistic art who crushed His adversaries in a whirlwind of ruthless fury. Clearly, none at all, and the world Of pugilism was slow to accept repeated proof that the slam bang operator had about as much Chance with the “Lanky Bob “as the thrashing oak with the electric fluid of the clouds.
An Amazing Man
The methods of Fitsimmons,, at bottom were peculiarly his own. No other could Imitate them because no other who ever lived was built on quite the same architectural Lines. It was no infringement upon the fame of James J. Corbett to say that if that astute master had remained in the obscurity of peaceful pursuits Fitsimmons would have stood as the leader and innovator in Modern pugilism. As it happened Corbett exerted a dominant influence upon the Raw honed Cornishman. When Fitzsimmons fluttered the New Zealanders, and for some years afterward His style was crude and primitive compared with his later showing. Not until Corbett’s tactics had been developed and demonstrated did Fitsimmons , benefiting by The example, become the marvelous scientific genius of the ring.
To emphasis the pugilistic abilities of Fitzsimmons had there growth, before all, In the man astonishing physical construction . If handsome is as handsome does He was a beauty , but only by wrench of metaphor. His build was planned distinctly for service, utilitarian to the last degree. There were his famous legs, crooked pipe stems in design. The good old athletic term of "manly grace" would have to suffer considerable stretching to include the lower limbs of Fitzsimmons. They were almost painfully thin and they splayed out from the knees like the props of a tripod. What nobody counted on, when he first appeared, those legs, with the generous allotment of feet made a perfect hitting foundation, bracing the body and. forming a firm base of operations.
Above the waist .Fitzsimmons was the combination of the best points of twenty champions. His upper structure resembled nothing in the world so much as an ace of hearts, tapering to a waist that a cloak model might envy, and spreading Into a magnificent chest and massive shoulders, padded deep with muscle. The line of the shoulders ran smoothly into arms of phenomenal length and power. His neck was short, solid and strongly set, supporting a small head that could have withstood quite as much pounding as the smith's own: anvil. His height was five feet, eleven and a half, inches. In his early career he fought at about 150 pounds, later up to 170 though usually at 165.
No other feature of his makeup so definitely marked the fighter as the arms. They were steel levers wrapped in layers of wire cord that showed in Bunched and rippled masses beneath the skin and holding within them A force which independently exerted meant a stiffer punch than an Ordinary boxer could produce with every ounce of him hurled into action. Much of the Cornishman’s prowess lay just here, before all else he was a jolter , and He jolted like a trip hammer. Every opponent who fel before him went down with a punch That traveled less than a foot. early observers of Fitzsimmons had great difficulty In discovering and identifying that swift almost invisible knockout shot which accounts For frequent confusion as to just how the result had been accomplished. Instead of packing It up, hauling away and launching a smash in time honored fashion, he sent over what Looked like a simple tap to those quick eyed to see it at all. Apparently he had made No effort. His adversary promptly collapsed and the watchers wondered .Meanwhile that tap Meant a blow thrice as dangerous as John L Sullivan’s most ponderous slogging swing.
Fitzsimmons at his best was never brilliant save to the understanding of the initiated. While he was eminently a scientific boxer at the height of his career.his craft was not obvious to the general public. He was no show fighter. Graceful maneuvering, tripping steps, noble attitudes And harmony of motion were things of little moment in his scheme .just as Every unnecessary bit of weight was eliminated from his build where he could Spare it and added to the part where he could use it.
To those familiar with his methods there was something wonderfully fascinating About Fitzsimmons in action. His weird." ungraceful gait, swift, sure, with a little noiseless shuffle; his half crouching almost lazy posture; his inimitable trickinsss; his short- dazzling feints: his terrific speed on offence; his skilful luring of the enemy into beating himself and his unsurpassed accuracy of aim and judgment made up a style that was almost uncanny in its baffling effectiveness.
A Born Fighter.
Representing In all his fighting characteristics the economy of efficiency, Fitzsimmons was one of the few men in the annals of pugilism who were unmistakably born to their calling. Such was his aptitude that if boxing had not been known in his day he must have invented it. The same simplicity and deadly directness that equipped him physically for the ring was carried out by his personal qualities. He was quite without fear. His Interests were few and simple He had a wholesome pride In his clean, sound body. Debauchery or excess of any kind never appealed to him. He was made for fighting and he knew it.
After the preliminary triumphs is New Zealand Fitzsimmons next bobbed to the pugilistic surface In Australia, where he continued to advance steadily, If slowly, in fame and Importance He was not trumpeted, but by a gradual process of elimination be came' to the front. He won all his fights up to 1890 downing a dozen of the best men in his class., and the sporting public still doubting, still unwilling to admit that here was a really great boxer , grudgingly conceded him his place. His first defeat was at the hands of “Jim” Hall, a setback that he afterward reversed, and in the same year came to the united states. After winning from “Billy” McCarthy in San Francisco he knocked out Arthur Upham in New Orleans . the last event made a great stir amongst American fight followers Who declared that here , at length , was a fitting opponent for "Jack" Dempsey Holder of the middleweight title.
Dempsey was the phenomenon of the time in pugilism.he had appeared in the ring At twenty one and had swept through the ranks of the lightweights and middleweights With meteoric brilliance and astounding success.in 1884 he had beaten George Fulljames For the lightweight championship of America .
( boxrec has this down as a fight with Billy Dacey )
unable to find material for further conquests at his usual weight of 135 pounds he went after the next division climbing swiftly to the top. It was nothing for him to take on three fights within a week.
"The Nonpareil" was one of the nerviest, most courageous and startling figures in fistic history. he was regarded by many as a second “Tom”
Sayers. It was predicted for him that, like the lightweight English marvel who upset Precedents and wrested heavyweight honors from the best of his Contemporaries. Dempsey would capture everything In sight. For several years he dogged Charlie Mitchell with challenges, and made that artful dodgers life something of a burden to him in finding excuses. Disappointed here, Dempsey did not consider John L. Sullivan beyond the clutch of his ambition and there was considerable talk of a match between them: When Fitzsimmon’s loomed up as a possibility through his defeat of Upham "The Nonpareil Jumped at the opportunity to meet the Cornishman. Dempsey was a rough, and ready fighter of great natural hardihood and unlimited pluck. In science he was as good as the general run of the day, but he depended for success upon his endurance and plain "scrapping" abilities. He bad been trained, like Sullivan, as a bare knuckle boxer and he never took kindly to the padded gloves. Fitzsimmons was only too ready to meet an opponent of this kind, one whose defeat would mean enormous prestige owing to his great reputation, and -whose calibre, as the invader conceived, was small for the mighty noise he had made.
The fight was obtained by the Olympic Club of New Orleans which offered a $12,000 purse, $11,000 to the winner and $1,000 to the loser.the men to weigh no more than 154 pounds at the ringside five minutes before the call of time.five ounce gloves were to be used, Marquis of Queensberry rules to be followed.
The Great Battle
On the evening of January 14, 1891, some four thousand persons were packed in the amphitheatre of the Olympic Club, seated on four sides of the twenty-four foot ring, which was protected by a barbed wire fence from impromptu Interruptions and further guarded by a squad of police. The ring Itself was furnished with padded posts and a floor of packed sand. The gathering Included most of the prominent sporting men of the country and in the crowd were many well known members of the profession, Including "Tom" Allen, former champion; "Jake" Kilrain. "Mike" Cleary and Corbett. The Contest Committee of the club had chosen Colonel Alex Brewster for referee and Toby Duffy was timekeeper.
Just after nine o'clock Fitzsimmons appeared In the Hall with Carroll and O'Connell. his seconds and Robinson, his bottle holder.
to be continued
WITH John L. Sullivan the fourth period of fistic history comes to an end. His defeat of Kilrain, the last championship battle under the London prize ring rules, was the logical climax of pugilistic science as developed with those rules.
The modern period of pugilism dates from the appearance of James J. Corbett, who under the Marquis of Queensberry rules, devised entirely new methods and principles for the sport Corbett stands as the first great master of the present 'school of boxing, corresponding in influence and importance with "Dan" Mendoza, who furnished traditions and formulas for the earlier school.
Stepping aside from the course of the heavyweight championship, mention should be .made of one of the most remarkable battles in pugilistic annuls which intervenes, In point of time, between the Sullivan-Kilrain and Sullivan-Corbett fights.
The meeting between "Jack" Dempsey and Robert Fitzsimmons first brought public attention to the man who afterward proved invincible until crushed by the biggest and, as held by some, the greatest heavyweight of them all. It is valuable as illustrating the early achievements of the conqueror of Corbett and the marvelous courage of a plucky little fighter who was matched far out of his class.
UNREMITTING labor, twelve hours of It In the day, fashioned the gawky fighting machine that was Robert Fitzsimmons, gave him his massive knobs of muscle where he needed them and trained his spindly frame Into a tower of strength. The smithy was his first gymnasium and the hammer his apparatus. Born in Cornwall June 4,1862. he began to pound the anvil as soon as he could top it.
Having emigrated to New Zealand, he made his first appearance in the ring at a tournament to determine the amateur title of the colony held at Timaru, In 1880, under the management of "Jem" Mace, the former world's champion. The incredulous spectators saw a tall, quiet man with a slight stoop, a homely, pleasant face of clerical cast and an altogether awkward and un businesslike makeup slide Into the fray and put away four men In succession apparently by sleight of hand. In the following year he entered again at the same place and polished off five contestants in a night, among them the Maori giant, Herbert Slade, the much vaunted (.opponent of John L Sullivan at a later date.
The commonly accepted view at the time, and a view that persistently cropped up for years afterward in regard to Robert Fitzsimmons, was that his achievements stood for a mistake. Those little given to analysis preferred to wave him aside as the ephemeral product of favorable conditions and blind chance. It was natural that it should be so. Of all fighters who ever stood within the squared circle he was undoubtedly the least spectacular In the eyes of observers who did not understand how to appreciate his cunning and his consummate skill. He stepped a few paces with an opponent and lo, the man was out and none could tell the manner of it. Whereupon the undiscerning many cried upon luck while the wiser few spoke of masterly strategy and unequalled fighting equipment.
To boxing followers schooled in admiration of the older type of pugilist Robert Fitzsimmons was no more the figure of a fighter than was David to the Philistines before he smote them. Tradition decreed that a boxer should be a stalwart, beefy, rock ribbed and builded specimen, with a pair of flailing fists and ''' unlimited capacity for bard knocks. The bigger and tougher and stronger he was by so much he approached the popular fancy more closely. Even shifty fighters were at least supposed to be constructed with some regard to symmetry .
But what possible connection could exist between this thin, stooping, knock kneed Individual with his deprecating, good natured smile, shambling gait, top heavy Body and unimpressive pose, and the brawny hero of fistic art who crushed His adversaries in a whirlwind of ruthless fury. Clearly, none at all, and the world Of pugilism was slow to accept repeated proof that the slam bang operator had about as much Chance with the “Lanky Bob “as the thrashing oak with the electric fluid of the clouds.
An Amazing Man
The methods of Fitsimmons,, at bottom were peculiarly his own. No other could Imitate them because no other who ever lived was built on quite the same architectural Lines. It was no infringement upon the fame of James J. Corbett to say that if that astute master had remained in the obscurity of peaceful pursuits Fitsimmons would have stood as the leader and innovator in Modern pugilism. As it happened Corbett exerted a dominant influence upon the Raw honed Cornishman. When Fitzsimmons fluttered the New Zealanders, and for some years afterward His style was crude and primitive compared with his later showing. Not until Corbett’s tactics had been developed and demonstrated did Fitsimmons , benefiting by The example, become the marvelous scientific genius of the ring.
To emphasis the pugilistic abilities of Fitzsimmons had there growth, before all, In the man astonishing physical construction . If handsome is as handsome does He was a beauty , but only by wrench of metaphor. His build was planned distinctly for service, utilitarian to the last degree. There were his famous legs, crooked pipe stems in design. The good old athletic term of "manly grace" would have to suffer considerable stretching to include the lower limbs of Fitzsimmons. They were almost painfully thin and they splayed out from the knees like the props of a tripod. What nobody counted on, when he first appeared, those legs, with the generous allotment of feet made a perfect hitting foundation, bracing the body and. forming a firm base of operations.
Above the waist .Fitzsimmons was the combination of the best points of twenty champions. His upper structure resembled nothing in the world so much as an ace of hearts, tapering to a waist that a cloak model might envy, and spreading Into a magnificent chest and massive shoulders, padded deep with muscle. The line of the shoulders ran smoothly into arms of phenomenal length and power. His neck was short, solid and strongly set, supporting a small head that could have withstood quite as much pounding as the smith's own: anvil. His height was five feet, eleven and a half, inches. In his early career he fought at about 150 pounds, later up to 170 though usually at 165.
No other feature of his makeup so definitely marked the fighter as the arms. They were steel levers wrapped in layers of wire cord that showed in Bunched and rippled masses beneath the skin and holding within them A force which independently exerted meant a stiffer punch than an Ordinary boxer could produce with every ounce of him hurled into action. Much of the Cornishman’s prowess lay just here, before all else he was a jolter , and He jolted like a trip hammer. Every opponent who fel before him went down with a punch That traveled less than a foot. early observers of Fitzsimmons had great difficulty In discovering and identifying that swift almost invisible knockout shot which accounts For frequent confusion as to just how the result had been accomplished. Instead of packing It up, hauling away and launching a smash in time honored fashion, he sent over what Looked like a simple tap to those quick eyed to see it at all. Apparently he had made No effort. His adversary promptly collapsed and the watchers wondered .Meanwhile that tap Meant a blow thrice as dangerous as John L Sullivan’s most ponderous slogging swing.
Fitzsimmons at his best was never brilliant save to the understanding of the initiated. While he was eminently a scientific boxer at the height of his career.his craft was not obvious to the general public. He was no show fighter. Graceful maneuvering, tripping steps, noble attitudes And harmony of motion were things of little moment in his scheme .just as Every unnecessary bit of weight was eliminated from his build where he could Spare it and added to the part where he could use it.
To those familiar with his methods there was something wonderfully fascinating About Fitzsimmons in action. His weird." ungraceful gait, swift, sure, with a little noiseless shuffle; his half crouching almost lazy posture; his inimitable trickinsss; his short- dazzling feints: his terrific speed on offence; his skilful luring of the enemy into beating himself and his unsurpassed accuracy of aim and judgment made up a style that was almost uncanny in its baffling effectiveness.
A Born Fighter.
Representing In all his fighting characteristics the economy of efficiency, Fitzsimmons was one of the few men in the annals of pugilism who were unmistakably born to their calling. Such was his aptitude that if boxing had not been known in his day he must have invented it. The same simplicity and deadly directness that equipped him physically for the ring was carried out by his personal qualities. He was quite without fear. His Interests were few and simple He had a wholesome pride In his clean, sound body. Debauchery or excess of any kind never appealed to him. He was made for fighting and he knew it.
After the preliminary triumphs is New Zealand Fitzsimmons next bobbed to the pugilistic surface In Australia, where he continued to advance steadily, If slowly, in fame and Importance He was not trumpeted, but by a gradual process of elimination be came' to the front. He won all his fights up to 1890 downing a dozen of the best men in his class., and the sporting public still doubting, still unwilling to admit that here was a really great boxer , grudgingly conceded him his place. His first defeat was at the hands of “Jim” Hall, a setback that he afterward reversed, and in the same year came to the united states. After winning from “Billy” McCarthy in San Francisco he knocked out Arthur Upham in New Orleans . the last event made a great stir amongst American fight followers Who declared that here , at length , was a fitting opponent for "Jack" Dempsey Holder of the middleweight title.
Dempsey was the phenomenon of the time in pugilism.he had appeared in the ring At twenty one and had swept through the ranks of the lightweights and middleweights With meteoric brilliance and astounding success.in 1884 he had beaten George Fulljames For the lightweight championship of America .
( boxrec has this down as a fight with Billy Dacey )
unable to find material for further conquests at his usual weight of 135 pounds he went after the next division climbing swiftly to the top. It was nothing for him to take on three fights within a week.
"The Nonpareil" was one of the nerviest, most courageous and startling figures in fistic history. he was regarded by many as a second “Tom”
Sayers. It was predicted for him that, like the lightweight English marvel who upset Precedents and wrested heavyweight honors from the best of his Contemporaries. Dempsey would capture everything In sight. For several years he dogged Charlie Mitchell with challenges, and made that artful dodgers life something of a burden to him in finding excuses. Disappointed here, Dempsey did not consider John L. Sullivan beyond the clutch of his ambition and there was considerable talk of a match between them: When Fitzsimmon’s loomed up as a possibility through his defeat of Upham "The Nonpareil Jumped at the opportunity to meet the Cornishman. Dempsey was a rough, and ready fighter of great natural hardihood and unlimited pluck. In science he was as good as the general run of the day, but he depended for success upon his endurance and plain "scrapping" abilities. He bad been trained, like Sullivan, as a bare knuckle boxer and he never took kindly to the padded gloves. Fitzsimmons was only too ready to meet an opponent of this kind, one whose defeat would mean enormous prestige owing to his great reputation, and -whose calibre, as the invader conceived, was small for the mighty noise he had made.
The fight was obtained by the Olympic Club of New Orleans which offered a $12,000 purse, $11,000 to the winner and $1,000 to the loser.the men to weigh no more than 154 pounds at the ringside five minutes before the call of time.five ounce gloves were to be used, Marquis of Queensberry rules to be followed.
The Great Battle
On the evening of January 14, 1891, some four thousand persons were packed in the amphitheatre of the Olympic Club, seated on four sides of the twenty-four foot ring, which was protected by a barbed wire fence from impromptu Interruptions and further guarded by a squad of police. The ring Itself was furnished with padded posts and a floor of packed sand. The gathering Included most of the prominent sporting men of the country and in the crowd were many well known members of the profession, Including "Tom" Allen, former champion; "Jake" Kilrain. "Mike" Cleary and Corbett. The Contest Committee of the club had chosen Colonel Alex Brewster for referee and Toby Duffy was timekeeper.
Just after nine o'clock Fitzsimmons appeared In the Hall with Carroll and O'Connell. his seconds and Robinson, his bottle holder.
to be continued