Turner Classic Movies last night was showing a run of movies featuring the French star,Alain Delon.I'm not a big fan of movies made in France(I don't want to say "French movies" because that connotes something different
Anyway,this flick,Rocco And His Five Brothers(1960), is an Italian production with Luchino Visconti directing and using his screenplay. I'm posting this because the backdrop involves some boxing. Delon.who plays the part of Rocco,goes to Milan from the south of Italy to team up with his other brothers and the matriarch of the family,Rosana.She's convinced that the change of scenery will do her brood good. One of her sons,Simone,falls for a prostitute who urges him to be a boxer so she can live a lifestyle that's above her current standard of wham bam thank you ma'am. But Simone spends more time living the lowlife instead of focusing on boxing and winds up washing out as a fighter. Rocco on the other hand also tries boxing and starts becoming good at it. In the meantime the fallen flower puts the moves on Rocco(the kid doesn't know she was romping in the hay with Simone) because she's downright no good and wants to piss off Simone. But Rocco wakes up to the fact that having an affair with this girl will only lead to doom and destruction and a case of the clap. He eventually meets a nice girl and he goes on to fight successfully while Simone winds up killing his ex girlfriend ill repute.
I don't want to get into anymore details of the film because i want to focus more on the boxing end of it,but this a really good movie that somehow got by me.The fight sequences take place in small arenas in Milan and you can cut the atmosphere with a knife. Filming the picture in black and white adds credence to the its believability. I bet Scorsese was familiar with this film when he made Raging Bull.
Alain Delon's fight scenes are as good as it gets in "fight movies". Of course,a lot of that credit must go to Visconti. However,Delon looks like he had some practice on how to handle himself in the ring.He's fluid and natural and exhibits coordination.
Like all Italian dramas it can never be called that unless you add "melo" as the prefix. The ending is like eating a meatball sandwich without anything to wash it down. But I was glad that I stumbled upon this little gem. Maybe I just was in the dark.The movie wasn't released in the U.S. and there are subtitles. It seems that the big European stars(Sofia Loren was a good example)had to cross to the other side to make a flick with one of the big studios here,act beside a "name" American star,and of course learn English in order .then, to fly back and drop a bunch of names on the Amalfi Coast. I never liked any of Sofia Loren's movies made in America.
When Carlos Monzon was winning over Europe with his victories over Nino Benvenuti ,et al.,Delon became a big fan and a patron of the middleweight champion. I'm sure Delon introduced Monzon to some of the most tantalizing starlets on the Continent. That was right up Monzon's alley not to mention that Delon was as horny as me in my prime.Once in awhile I still get that old feeling.Ciao!
Carlos Monzon